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Mary Ann Robinson, a young woman living in The Bronx, New York, with her neurotic, overbearing mother and kindly but ineffectual stepfather, is raped while walking home one night. Keeping the attack to herself, Mary Ann runs away, seeking to lose herself in Manhattan by renting a seedy flat and taking a job in a dime store. Overwhelmed by people's hostility and her own despair, Mary Ann tries to jump off the Manhattan Bridge, only to be stopped by Mike, a garage mechanic who takes her back to his modest basement apartment nearby. At first appreciative of Mike's kindness, Mary Ann becomes terrified when he refuses to let her leave. Is Mike really Mary Ann's rescuer - or is he another rapist? Written by
Eugene Kim <firstname.lastname@example.org>
Morton Feldman was originally hired to compose the score, but was replaced by Aaron Copland. See more »
Mrs. Carter phoned. She wanted to know how you felt. I told her you were a little peaked, that's all. Anybody who calls, I tell 'em you're just a little bit down.
[raises window blind, looks outside]
She said some more of those dirty people had moved in the next block. Honestly, I don't know what's going to happen to this neighborhood!
Mary Ann Robinson:
Everyone is dirty!
Eat some more! How can you expect to get well? I didn't mean to hurt anybody. Honestly, you can't even go out on the streets alone at night.
Mary Ann Robinson:
[...] See more »
An offbeat, oddly moving film in which Carroll Baker plays a young victim of rape. Although the crime goes unnamed in this 1961 movie, the pain and anguish suffered by Baker's character, Mary Ann, are candidly as well as sensitively handled. And while the film can only hint at Mary Ann's thoughts (unlike the book on which it was based), Baker gives a touching performance as the victim who tries to deny the crime by erasing all physical traces of it, and then seeking to lose herself in the jungle of New York City, only to find herself trapped in the apartment of a supposed Good Samaritan played by Ralph Meeker. The film's second half is weakened by the sketchiness of the characters' motivations, but the actors help to fill in the gaps. Legendary American composer Aaron Copland has added a grand (perhaps too grand) musical score; Eugen Schüfftan's crisp black & white cinematography and the extensive use of New York City locations add to this drama. Directed by Jack Garfein (Baker's then-husband), who co-wrote the script with Alex Karmel, author of the 1958 novel "Mary Ann."
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