IMDb > The Sinister Urge (1960)
The Sinister Urge
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The Sinister Urge (1960) More at IMDbPro »


Overview

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2.3/10   1,020 votes »
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View company contact information for The Sinister Urge on IMDbPro.
Release Date:
8 December 1960 (USA) See more »
Genre:
Tagline:
A compulsive killer strikes terror...in every woman's heart See more »
Plot:
A flunky for a porno movie ring starts murdering the smut films' lead actresses. Full summary » | Add synopsis »
User Reviews:
Ed Wood's final masterpiece? See more (24 total) »

Cast

  (in credits order)
Kenne Duncan ... Lt. Matt Carson
Duke Moore ... Sgt. Randy Stone (as James 'Duke' Moore)
Jean Fontaine ... Gloria Henderson
Carl Anthony ... Johnny Ryde
Dino Fantini ... Dirk Williams
Jeanne Willardson ... Mary Smith
Harvey B. Dunn ... Mr. Romaine
Reed Howes ... Police Inspector
Fred Mason ... Officer Kline
Vic McGee ... Syndicate man
Harry Keaton ... Jaffe (as Harry Keatan)
Conrad Brooks ... Connie
rest of cast listed alphabetically:
Vickie Baker ... Kid at Diner (uncredited)
Jean Baree ... Policeman (uncredited)
Henry Bederski ... Kid at Diner (uncredited)
Honey Bee ... Kid at Diner (uncredited)
Judy Berares ... Frances (uncredited)
Betty Boatner ... Shirley (uncredited)
John Carpenter ... Kid at Diner (uncredited)
Toni Costello ... Model (uncredited)
Carole Gallos ... (uncredited)
Claudette Gifford ... (uncredited)
Henry Kekoanui ... Dark Stud (uncredited)
Rick Lamson ... (uncredited)
Carmen Lee ... (uncredited)
April Lynn ... Model (uncredited)
Paul Main ... Paul (uncredited)
Sylvia Marenco ... Model (uncredited)
Candy Paige ... (uncredited)
Clayton Peca ... Undercover Policeman (uncredited)
Kathy Randall ... Model (uncredited)
Nick Raymond ... Syndicate Man #2 (uncredited)
Oma Soffian ... Nurse (uncredited)
Raphael Sporer ... (uncredited)
Vonnie Starr ... Secretary (uncredited)
Rhea Walker ... (uncredited)
Lisa Page Ward ... (uncredited)
Kenneth Willardson ... Theatrical Agent (uncredited)

Edward D. Wood Jr. ... Man in Fight (uncredited)

Directed by
Edward D. Wood Jr.  (as E.D. Wood)
 
Writing credits
(in alphabetical order)
Edward D. Wood Jr.  (as E.D. Wood)

Produced by
Roy Reid .... executive producer
Edward D. Wood Jr. .... associate producer (as E.D. Wood)
 
Original Music by
Michael Terr  (as Manuel Francisco)
 
Cinematography by
William C. Thompson 
 
Art Department
J.B. Finch .... set dresser
Jerome Lapari .... set designer
 
Sound Department
Sam Kopetzky .... sound mixer
 
Special Effects by
Ray Mercer .... special effects
 
Camera and Electrical Department
Larry Smith .... still photographer
 
Costume and Wardrobe Department
Eileen Younger .... wardrobe
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
71 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Rob Zombie named his 2001 solo album for the film.See more »
Goofs:
Continuity: Police leave the police station in a black and white 1959 Ford and arrive at the City Park in a black and white 1960 Dodge Dart.See more »
Quotes:
[Mary sees Ed Wood posters on pornographer Johnny Ride's office wall.]
Mary Smith:Are gangster and horror films all you produce?
Johnny Ryde:Those are made by friends of mine. I think you'll find my type of picture entirely different.
See more »

FAQ

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14 out of 17 people found the following review useful.
Ed Wood's final masterpiece?, 7 May 2003
Author: madsagittarian from Toronto, Canada

What a night. The stuff of which legends are made.

In 1995 in beautiful downtown Toronto, when Tim Burton's mighty biopic ED WOOD went into second-run, one of our rep cinemas had a never-to-be-forgotten quadruple bill of films by everyone's favourite cross-dressing auteur. JAIL BAIT, BRIDE OF THE MONSTER, NIGHT OF THE GHOULS preceded this, the final programme of the evening, and perhaps Ed Wood's final masterpiece (well, for his "legit" non-porn movies anyway). From the expected pimply nerdy geeks to one dignified old gentleman who said that they SHOULD have given Mr. Wood a star in front of Grauman's, this, the least seen of all of Wood's pictures from his "classical" period, was a real crowd pleaser.

THE SINISTER URGE is a must for anyone with even a passing interest in the films of this precious Gonzo genius, or, like myself, who have a strange attraction to works made by people who eke out an existence way way way in the back alleys of Tinseltown. This riotous "expose" is classic Edward D.: long scenes which don't go anywhere (including an extract from his uncompleted JD epic- HELLBORN), priceless dialogue which waxes profundity about everything and nothing, and a strange attempt at morality while also delivering whatever exploitation elements that unsuspecting people paid to see.

My favourite bits include:

1) the long scene where the two hardworking cops out to bust the porn ring must explain to an anonymous taxpayer who comes to the station, and tell him exactly why they are spending his hard-earned tax dollars on such a seemingly trivial matter; this scene wouldn't even pass the green light in a pre-production meeting for an educational film, however with typically Woodian panache, the taxpayer leaves afterwards shaking his head in amazement over the great public service these man are performing. Once again, within his ridiculous subplots, Wood slyly inserts bits where you realize how subversive his scenarios really are. The ever-critical writer-director is simultaneously praising and damning these intrepid cops for a seemingly superfluous service-- remember, only two years later the US government spent a huge wad of the taxpayers' money to decipher the lyrics to "Louie Louie" because the song was considered to be corrupting the minds of impressionable youngsters.

2) the director's cameo appearance; since one of the main subplots concerns some knife-wielding loony who attacks women in the park (apparently looking at semi-clad girls in magazines drove him to his social deviance), the two cops talk about sending an undercover male officer in drag to the park and foil the psychotic pervert (right here, the audience knowingly began to applaud), and in the next scene, there is Mr. Wood in a dress and mop wig trying to ferret out the guy in the park. A cameo appearance to save some money instead of hiring another bit player? In most likelihood, a good excuse for the eccentric auteur to insert his personal baggage-- a Brechtian cry for identity.

3) a bizarre climax, featuring a decapitated head in someone's bushes!

Man, they sure don't make them like this anymore. Seeing THE SINISTER URGE is like a breath of fresh air. As much as PLAN 9, GLEN OR GLENDA and BRIDE OF THE MONSTER are important works of this pioneering independent filmmaker, the stories about their creation, and their dialogue is cited so often that perhaps they no longer seem new. It is great to see this, and also JAIL BAIT, and appreciate the charms that even his under-hyped works have.

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