Someone is killing young women in the park. Police suspect it's related to the smut picture racket, and begin leaning on Gloria Henderson, a smut front woman for the "mob." Her right arm man continues to procure young women with stars in their eyes to submit to their heinous celluloid activities, and if the women try blackmail, they call in a specialist to take care of the problem. Written by
Ed Sutton <email@example.com>
Ironically, this "pornography expose" was Edward D. Wood Jr.'s last legitimate film before delving into writing softcore pornography himself. See more »
Police leave the police station in a black and white 1959 Ford and arrive at the City Park in a black and white 1960 Dodge Dart. See more »
[Mary sees Ed Wood posters on pornographer Johnny Ride's office wall.]
Are gangster and horror films all you produce?
Those are made by friends of mine. I think you'll find my type of picture entirely different.
See more »
Edward D. Wood, Jr.'s hard-hitting look at the smut business has Lt. Carson (Kenne Duncan) and Sgt. Stone (Duke Moore) trying to solve a couple murders where the victims had just taken part in the pornography world. They believe the victims can be traced to a certain woman (Jean Fontaine) but they need to find out who's actually doing the killing. THE SINISTER URGE is Wood's attempt to show how ugly and evil the porn business is so I guess it's kind of ironic that this would be his last directing job for ten years until he would start working in, you guessed it, the porn business. As you'd expect, this here is a pretty poor film that like most of Wood's stuff has an interesting idea but the story is all over the place and in the end it just makes no sense. It seems that Wood was wanting to do the story about a psycho turned on by porn and then mix in a detective tale and the two items just didn't mix very well. The film is certainly a tad bit sleazier than the normal 1960 production but this doesn't make up for the weak dialogue or bad performances. It's funny but the film really puts down those who take advantage of girls who come to Hollywood to become stars and the film also preaches that girls should just stay home. The first female victim has such a Southern accent that I'm guessing Wood found her as she stepped off the bus. Wood's regular outlaws (Duncan, Moore, Conrad Brooks) are all here and it's worth noting that this here was Duncan's last feature film. Fans of Wood's work will still want to check this out but it's certainly miles behind his classics.
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