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7 Women from Hell (1961)

 -  Drama | War  -  October 1961 (USA)
4.9
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Ratings: 4.9/10 from 75 users  
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Seven women from different backgrounds, nationality, age, class, and marital status find themselves in New Guinea, February 1942 - when the Japanese army takes over unexpectedly, and sends them into a war camp in the jungle.

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(as Robert Webb)
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Title: 7 Women from Hell (1961)

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Cast

Complete credited cast:
Patricia Owens ...
Grace Ingram
...
Claire Oudry
...
Luis Hullman
...
Mara Shepherd
...
Lt. Bill Jackson
...
Janet Cook
Pilar Seurat ...
Mai-Lu Ferguson
Sylvia Daneel ...
Anna Van Laer
Richard Loo ...
Sgt. Takahashi
Evadne Baker ...
Regan
Bob Okazaki ...
Capt. Oda
Yuki Shimoda ...
Dr. Matsumo
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Storyline

Seven women from different backgrounds, nationality, age, class, and marital status find themselves in New Guinea, February 1942 - when the Japanese army takes over unexpectedly, and sends them into a war camp in the jungle.

Plot Summary | Add Synopsis

Taglines:

Women... captured and enslaved - forced to the inhuman demands of barbarian conquerors! See more »

Genres:

Drama | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

October 1961 (USA)  »

Also Known As:

Womanhunt  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
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User Reviews

 
It's got it all
2 January 2003 | by (Oakland CA) – See all my reviews

This Fox Cinemascope feature bridges the gap between the women in prison flicks of the 1950s and the AIP Women In Cages cycle of the 70s. There's rape, torture, and large breasts straining against tight tops---but only in moderation. Seven women--most of them looking like refugees from, oh, 1961 rather than the wartime Philippines--find themselves at the mercy of the merciless Imperial Japanese Army and endeavour to escape the clutches of the fiendish Orientals, personified best by Richard Loo in the scenery-chewing role of the ruthless sergeant in charge of the prison camp. Cesar Romero shows up for the final reel in what turns out to be a most unsatisying ending. The film looks good thanks to Floyd Crosby's camera work but is let down by a weak script and incredibly poor costuming, make-up, and (in most cases) acting.


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