IMDb > Salvatore Giuliano (1962)

Salvatore Giuliano (1962) More at IMDbPro »


Overview

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7.5/10   1,479 votes »
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Release Date:
28 February 1962 (Italy) See more »
Genre:
Plot:
In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems... See more » | Add synopsis »
Plot Keywords:
Awards:
6 wins & 3 nominations See more »
User Reviews:
Dishonest, disappointing and, what's worse, dull See more (11 total) »

Cast

  (in credits order) (verified as complete)
Salvo Randone ... President of Viterbo Assize Court
Frank Wolff ... Gaspare Pisciotta
rest of cast listed alphabetically:
Sennuccio Benelli ... Reporter (uncredited)
Giuseppe Calandra ... Minor Official (uncredited)
Pietro Cammarata ... Salvatore Giuliano (uncredited)
Max Cartier ... Francesco (uncredited)
Nando Cicero ... Bandit (uncredited)
Giuseppe Teti ... Priest of Montelepre (uncredited)
Cosimo Torino ... Frank Mannino (uncredited)
Ugo Torrente ... Bit Part (uncredited)
Bruno Ukmar ... Spy (uncredited)
Frederico Zardi ... Pisciotta's Defense Counsel (uncredited)
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Directed by
Francesco Rosi 
 
Writing credits
(in alphabetical order)
Suso Cecchi D'Amico 
Enzo Provenzale 
Francesco Rosi 
Franco Solinas 

Produced by
Franco Cristaldi .... producer
 
Original Music by
Piero Piccioni 
 
Cinematography by
Gianni Di Venanzo 
 
Film Editing by
Mario Serandrei 
 
Production Design by
Sergio Canevari 
Carlo Egidi 
 
Art Direction by
Sergio Canevari 
Carlo Egidi 
 
Costume Design by
Marilù Carteny 
 
Production Management
Luciano Cattania .... production supervisor
Aldo Pace .... production supervisor
Enzo Provenzale .... production manager
Bruno Sassaroli .... production supervisor
 
Second Unit Director or Assistant Director
Nando Cicero .... assistant director
Franco Indovina .... assistant director
Roberto Pariante .... assistant director
 
Sound Department
Claudio Maielli .... sound (as Claudio Majelli)
 
Camera and Electrical Department
Pasqualino De Santis .... camera operator
 
Other crew
Lamberto Pippia .... production secretary
 
Crew verified as complete


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Additional Details

Also Known As:
"Black Fog in Sicily" - Japan (English title) (literal title)
See more »
Runtime:
123 min | Spain:120 min | Sweden:124 min | USA:125 min
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
One of the ten movies that was on Martin Scorsese's Sight and Sound 2012 Poll..See more »
Goofs:
Factual errors: During the Portella della Ginestre sequence, a member of the Communist Party gives a speech. In reality the shooting in the massacre began before anyone had a chance to speak to deliberately stop the speech starting.See more »
Movie Connections:

FAQ

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18 out of 42 people found the following review useful.
Dishonest, disappointing and, what's worse, dull, 19 September 2005
Author: TrevorAclea from London, England

Salvatore Guiliano feels like a missed opportunity at every turn and little more than an exercise in film form masturbation from Francesco Rosi. Salvatore Giuliano is a fascinating figure in Sicilian history and folklore, an extraordinarily successful bandit who briefly became the only competent military leader in the Sicilian Separatist movement only to be betrayed by politicians and the Mafia and killed under mysterious circumstances: as with all the key events in Giuliano's life, there are at least three different versions of how he met his end depending on what your stance is. That's always the major problem when dealing with Giuliano as a historical figure - people project onto him what they want to see to fit their own interpretation, and Rosi is certainly guilty of the same crime. Despite his shooting on the actual locations, he ignores and simplifies too much too often (for example, the Americans never really supported the Separatist movement due to their links with the British, choosing to place their trust in the Mafia instead, while the Mafia's importance in Giuliano's story is exaggerated: Rosi suggests he worked for them when in fact they acted more as go-betweens) and often makes deliberate changes to the known facts. While its perhaps acceptable dramatic license to add a Communist speech in the prelude to the Portella della Ginestre massacre sequence for context (even though the shooting began to stop the speech starting), his minor changes to details like the death of Gaspare Pisciotta seem especially perverse in a film that boasts of its documentary credentials and claims to stick only to verifiable facts. In fact, at every turn, this film shows considerably LESS than was known at the time.

Giuliano's extraordinary success was largely down to a number of historical factors – the resentment Sicilians felt to Italians and the central government in Rome; the comparative weakness of Mafia, who, suppressed by Mussolini and newly restored by the Americans (who deemed them a legitimate anti-Fascist resistance movement!), were then in a period of transition and, unable to control local bandits, took advantage of them by acting as intermediaries and sources of information for their kidnappings; the fact that the army and police each wanted the glory of his capture or killing and would actively undermine each others efforts (this internecine feuding extended within both groups: one police chief even murdered a rival's informant); Giuliano paying well the locals well over the odds for supplies to make it in their interest not to betray him; Giuliano's willingness to kill childhood friends and threaten family members; and most importantly, his tendency to change sides to any non-communist group that might promise a pardon. Unfortunately, none of that is to be found in the film. Indeed, going into it blind, you'd be hard put to understand why Giuliano is such a local legend. Rosi marginalizes him at every turn, dramatizes minor incidents and spends half the movie on the trial of Pisciotta and various survivors of Giuliano's band. These scenes do at least capture the chaos and some of the revelations and allegations of political duplicity, but again Rosi seems more interested in deliberately showing how little he knows rather than attempting to find an ordered argument in it all. Ultimately it all comes down to "Well, I can't make head nor tail of it, but it stinks a bit to me."

Sadly Peter Cowie's audio commentary on the Criterion DVD is quite poor – he tends to amplify rather than correct Rosi's errors and frequently resorts to bizarre metaphors ("like leopards they just changed their spots" – huh?). He's good on Rosi and his brand of political cinema, but poor on Giuliano – much like the film itself. Despite a few good scenes (the mass arrest of the male population of Montelepre, the immediate aftermath of Giuliano's death), it almost seems as if the contradictions in Giuliano's story dictate it should best be told by an outsider with no political axe to grind. Sadly, this is no Battle of Algiers.

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