| Photos (see all 9 | slideshow) |
| Vivien Leigh | ... | Karen Stone | |
| Warren Beatty | ... | Paolo di Leo | |
| Coral Browne | ... | Meg | |
| Jill St. John | ... | Barbara Bingham | |
| Jeremy Spenser | ... | Young man | |
| Stella Bonheur | ... | Mrs. Jamison-Walker | |
| Josephine Brown | ... | Lucia | |
| Peter Dyneley | ... | Lloyd Greener | |
| Carl Jaffe | ... | Baron Waldheim | |
| Harold Kasket | ... | Tailor | |
| Viola Keats | ... | Julia McIlheny | |
| Cleo Laine | ... | Singer | |
| Bessie Love | ... | Bunny | |
| Elspeth March | ... | Mrs. Barrow | |
| Henry McCarty | ... | Campbell Kennedy (as Henry McCarthy) | |
| Warren Mitchell | ... | Giorgio | |
| John Phillips | ... | Tom Stone | |
| Paul Stassino | ... | Stefano - The Barber | |
| Ernest Thesiger | ... | Stefano | |
| Mavis Villiers | ... | Mrs. Coogan | |
| Lotte Lenya | ... | Contessa Magda Terribili-Gonzales | |
| rest of cast listed alphabetically: | |||
| Maria Britneva | ... | Principessa Bonmeni (uncredited) | |
| Thelma D'Aguilar | ... | Mita (uncredited) | |
| Edward de Souza | ... | (uncredited) | |
| Jean Marsh | ... | (uncredited) | |
| Robert Rietty | ... | Bit part (uncredited) | |
| Joe Sonessa | ... | Stalker (uncredited) | |
Directed by | |||
| José Quintero | |||
Writing credits(in alphabetical order) | ||
| Gavin Lambert | writer | |
| Jan Read | additional writing | |
| Tennessee Williams | novel | |
Produced by | |||
| Louis De Rochemont | .... | producer | |
| Lothar Wolff | .... | associate producer | |
Original Music by | |||
| Richard Addinsell | |||
Cinematography by | |||
| Harry Waxman | |||
Film Editing by | |||
| Ralph Kemplen | |||
Casting by | |||
| Robert Lennard | |||
Production Design by | |||
| Roger K. Furse | |||
Art Direction by | |||
| Herbert Smith | |||
Set Decoration by | |||
| John Jarvis | |||
Costume Design by | |||
| Pierre Balmain | |||
| Beatrice Dawson | |||
Makeup Department | |||
| Bob Lawrance | .... | makeup artist | |
| A.G. Scott | .... | hair stylist | |
Production Management | |||
| Basil Somner | .... | production manager | |
| Ted Wallis | .... | unit manager | |
Art Department | |||
| Ivor Beddoes | .... | sketch artist (uncredited) | |
| John Graysmark | .... | draughtsman (uncredited) | |
| Tony Reading | .... | draughtsman (uncredited) | |
| Peter Wood | .... | scenic artist (uncredited) | |
Sound Department | |||
| Keith Batten | .... | sound assistant | |
| Leslie Hodgson | .... | dubbing editor | |
| Cecil Mason | .... | sound mixer | |
| Dennis Whitlock | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Ernest Day | .... | camera operator | |
| Alec Mills | .... | focus puller (uncredited) | |
| Jimmy Stilwell | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe | |
| John Briggs | .... | wardrobe | |
Editorial Department | |||
| Eunice Mountjoy | .... | assistant editor (uncredited) | |
| Graham Shipham | .... | assembly editor (uncredited) | |
Music Department | |||
| Douglas Gamley | .... | conductor | |
| Douglas Gamley | .... | music arranger (uncredited) | |
Other crew | |||
| June Faithfull | .... | continuity | |
| Jack King | .... | administrator | |
| Robert Porter | .... | location manager | |
| Recent Posts (updated daily) | User |
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| Re Jean Marsh's brief appearance | Crawfordfan |
| Does Sarah Miles have a walk-on part? | mcelesia-1 |
| when to release the DVD???? | olivivien |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
Read together the biographies of Tennessee Williams and Vivien Leigh, and you'll know why the depressing aspects of this movie are so realistic!! Vivien was, at the time the movie was made, going through her painful divorce from Laurence Olivier. In the middle of making the film, she had dinner with her beloved Olivier and Joan Plowright, at which time he told her that he was marrying Joan. Vivien had electro-shock treatments right after wrapping this movie. That desolate, soul-searing sadness in her eyes isn't acting!
Tennessee Williams features gigolos, procurers and prostitutes in many of his plays and this was no exception, although the 'action' is disguised by the high-faluting manners of the Countessa (the madam, who lives off the earnings of her 'boys'). You wonder how much Tennessee may have fashioned the play on Miss Leigh's life, as 'Mrs. Stone' is an actress past her prime, whose husband has just absented himself from her life (and his, as well). Williams exquisitely portrays the way we use one another for our own advantage, and Beatty (with a crummy Italian accent) does a great job of 'playing' the self-involved, narcissistic, money hungry Lothario. Once he hooks her, he delights in sadistically attacking her for her 'weakness' in loving him. Ever been there? At that time in his life, Beatty was playing a similar but more innocent role with almost every woman in Hollywood. He has matured well.
The writing was excellent, the scenery in Rome magnificent, but you will be so depressed after seeing this excellent movie that I suggest you also check out 'Bulworth' as a double feature to follow with. Beatty on two sides of his career is worth comparing: drama and comedy, villain and hero. I believe you'll have to say that Warren Beatty is an actor as well as a movie star.
Even though Vivien Leigh did not care for Beatty's arrogance while making this movie, she was able to turn the horror of her personal life into something constructive (as did Tennessee Williams), for which we the public should always be grateful. To make art from the ashes of a marriage----destroyed by death or divorce----- is something each of us would do well to learn.
For those of you with indomitable spirits, another Tennessee Williams film to see for comparison purposes is "Summer and Smoke". The interplay between the romantic leads is more equal, but both portray the sadness from Tennessee's sister Rose's life. She was a beautiful Southern flower, intimidated by her overbearing mother and alcoholic father, who wound up having a lobotomy (as did another sad victim /child of our nation's leading family). Tennessee paid homage to her tragic life in many of his plays, and these are no exception. Intelligent, beautiful but completely impotent at withstanding the aggression of those around her, Mrs. Stone is a prime example of a 'Rose by another name'.