The residents of Peyton Place, New Hampshire, are not happy when its most famous resident, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most ... See full summary »
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The residents of Peyton Place, New Hampshire, are not happy when its most famous resident, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most outraged is malicious Roberta Carter, who wants the book banned from the school library. Roberta's other mission is to destroy her son Ted's marriage to his Italian bride. Theirs, however, isn't the only marriage in trouble: Alison's book is causing a rift between her mother and stepfather, who is also the school principal and one of the book's few defendants. Written by
Daniel Bubbeo <email@example.com>
The filming locations and interior sets of the MacKenzie house and The Tweed Shop (the store that Constance owns) are completely different from the original film. The exterior scenes for "Return To Peyton Place" were shot in Mamouth, California (for the skiing sequences) and at Fox's Malibu Ranch. The interior sets are "significantly smaller" than in the first film, as noted by film historian Sylvia Stoddard. See more »
Although this sequel picks up just several years after original story ends in the early-mid Forties, the new story occurs 15 years later with barely-aged characters living in the early Sixties. See more »
Lacking the better cast and production of the original, RETURN TO PEYTON PLACE is only a mediocre movie. In this sequel, Allison MacKenzie (CAROL LYNLEY) has written a novel about the citizens of her hometown, many of whom are less than thrilled. While Allison is in New York finalizing the publication of her work she falls for married publisher Lewis Jackman (JEFF CHANDLER). Back home,Allison's stepfather school principal Mike Rossi (ROBERT STERLING) is being threatened with removal from his post by schoolboard trustee Roberta Carter (MARY ASTOR) if he dares to stock Allison's book in the high school library. Roberta is also busy trying to destroy her son Ted's (BRETT HALSEY) marriage to his new bride Raffaella (A pre THUNDERBALL LUCIANNA PALUZZI). An additional concern for Roberta is keeping the town incest rape victim Selena (TUESDAY WELD), who is also the centerpiece of Allison's novel, away from son Ted. The characters of Allison and her mother Constance (ELEANOR PARKER) were the mainstays in the original. Here they become almost secondary when you watch MARY ASTOR wipe the floor with everyone in this film. Nobody can stare you down like ASTOR ! Nor can anyone in this movie match her subtle gestures or command. Telling his mother that his bride is a nice girl after she has insinuated differently, ASTOR adds, "Maybe it's the way she dresses." LYNLEY is over dramatic after her first 20 minutes. CHANDLER comes across as a dullard. WELD holds her own fairly well, except for an over the top semi flashback scene with new ski instructor boyfriend Nils (GUNNAR HELSTROM), where she proceeds to get hysterical and belt him with a fireplace poker. Veteran PARKER doesn't have much to work with here, but does admirably. PALUZZI is beautiful, but no match for sparring partner ASTOR. Sometimes you're better off not seeing what became of your favorite characters.
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