The residents of Peyton Place, New Hampshire, are not happy when its most famous resident, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most ...
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The original primetime soap took place in the title town, which was founded by the Peyton family, whose members included the Harringtons. Some of the plots involved Rodney Harrington, the ... See full summary »
When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
David Lowell Rich
The residents of Peyton Place, New Hampshire, are not happy when its most famous resident, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most outraged is malicious Roberta Carter, who wants the book banned from the school library. Roberta's other mission is to destroy her son Ted's marriage to his Italian bride. Theirs, however, isn't the only marriage in trouble: Alison's book is causing a rift between her mother and stepfather, who is also the school principal and one of the book's few defendants. Written by
Daniel Bubbeo <email@example.com>
According to film historian Sylvia Stoddard, at the time the film went into production, Tuesday Weld was a light blonde, but because Carol Lynley and Eleanor Parker were playing mother and daughter, Weld's hair had to be darkened so that she would be distinguishable from the other two actresses. See more »
Throughout the film, it is insisted that Selena and Ted had been friends and nothing more. However, in the first film, they did in fact have a romantic relationship as teenagers and were planning to get married. See more »
This sequel to the sturdy and beautifully made "Peyton Place" is not very good. The chief problem is the curious time warp. It appears to take place in 1961, the year the film was made, but the original took place during the Second World War. There is roughly a 15 year time gap, but no one has appeared to age much. Whats going here? The usually reliable Carol Lynley is rather miscast as Allison MacKenzie in an awkward transition role from her previous strong performances in films like "The Light In the Forest", "Blue Denim" and "Holiday For Lovers". Here she plays her first truly adult role, but comes off looking rather frumpy with that awful hairstyle hiding her stunning good looks. Tuesday Weld as Selena Cross suffers much the same fate. Everything appears drab and lethargic. Franz Waxman's score and Mary Astor's mother-in-law from Hell are the prime reasons to watch this disappointment.
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