IMDb > The Rebel (1961)

The Rebel (1961) More at IMDbPro »

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Overview

User Rating:
6.8/10   300 votes
MOVIEmeter: ?
Down 13% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ray Galton (writer)
Tony Hancock (writer)
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Contact:
View company contact information for Call Me Genius on IMDbPro.
Release Date:
26 December 1962 (Denmark) more
Genre:
Plot:
Anthony Hancock gives up his office job to become an abstract artist. He has a lot of enthusiasm, but little talent... more | add synopsis
Awards:
Nominated for BAFTA Film Award. more
User Comments:
Film worth watching occasionally, perhaps, for different reasons. more (15 total)

Cast

  (Cast overview, first billed only)
Tony Hancock ... Anthony Hancock
George Sanders ... Sir Charles Broward
Paul Massie ... Paul
Margit Saad ... Margot
Grégoire Aslan ... Carreras
Dennis Price ... Jim Smith
Irene Handl ... Mrs. Crevatte
John Le Mesurier ... Office manager
Liz Fraser ... Waitress
Mervyn Johns ... Manager of Art Gallery, London
Peter Bull ... Manager of Art Gallery, Paris
Nanette Newman ... Josey
Marie Burke ... Madame Laurent
Bernard Rebel ... Art Dealer
Sandor Elès ... Artist
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Additional Details

Also Known As:
Call Me Genius (USA)
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Runtime:
USA:105 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Mono (RCA Sound System)
Certification:

Fun Stuff

Quotes:
Jim Smith: English names are so mysterious, don't you think?
Hancock: Oh, yes. I knew an 'Arry Trubshawe and a Bert 'Iggins once. Dead mysterious they were.
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FAQ

This FAQ is empty. Add the first question.
3 out of 4 people found the following comment useful.
Film worth watching occasionally, perhaps, for different reasons., 5 March 2002
Author: Peter Yates (peterjamesyates@hotmail.com) from Leeds, Yorkshire, UK

I remember seeing The Rebel, on general release, in Croydon - three or four miles from where the railway scenes were shot: a bygone branch line and now demolished station off Coombe Road. (We used to walk past it a couple of times each week in the 1950s in the Elmhurst 'crocodile' to play sports at Lloyd Park. Happy days, indeed.) Unfortunately, I have never been very comfortable with the film - and I have persevered with it over the years. The Hancock attitude quickly wears thin and the script is simply below par for these writers. Best scenes, apart from the nostalgia element, are those with Irene Handl; Margit Saad (best known to me from Magnificent Two)is easy on the eye, as ever, but must have been embarrassed with her banal Margot character.

Nevertheless, I am pleased that the picture has its adherents. Where is Margit Saad today? A directorial credit around 1990 and seemingly nothing since.

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