Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall... Written by
Greg Bruno <firstname.lastname@example.org>
The cast was usually amazing, in this simple, but compelling story.
The actors in this movie are great actors. That could be said for every one of them. They all knew exactly what to do with the script from their previous work on the stage play version. Unfortunately, when their face is blown up 10 times on the big screen, so are their actions, and some scenes, because of this, come off a little too over the top dramatic than they should be realistically. The story is a simple one, but actually pretty interesting, and most of the time this is entertaining to watch.
The Younger family has just lost a member. Lena "Momma" Younger's (Claudia McNeil) husband died, and because of this the government is giving the family 10,000 dollars. Momma wants to buy a house and move the family out of their tiny apartment into a nice white neighborhood. Walter (Sidney Potier) has the dream of taking the money to start a liquor store. Beneatha (Diana Sands) wants to go to college on this money. The family has problems, and though no real plot is apparent, the characters make the film.
The direction on this is great. The music only adds to it, and helps out greatly in scenes trying to be dramatic. The actors play the scenes off well usually, though as stated earlier, a few times they almost come off campy instead of serious and dramatic. Most of the time this wasn't the case though, and these actor's performances shouldn't be nitpicked like I'm doing, and most won't even notice the over the top goofiness. The writing is very good, and is straight out of the play. The entertainment value is high, though some scenes seem to drag, another better scene generally follows.
Overall, this is not a masterpiece. The play is good, the acting is great, the cheese level is fairly low, and Raisin has a true human touch to it that makes the audience feel for these poor characters, and it's a very hard trait to emulate.
My rating: *** out of ****. 120 mins. PG for violence.
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