22 user 26 critic

Il Posto (1961)

Il posto (original title)
Not Rated | | Drama | 15 October 1962 (Sweden)
A very young college graduate attempts to obtain a position with a large corporation.



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Cast overview:
Loredana Detto ...
Antonietta Masetti
Sandro Panseri ...
Domenico Cantoni


Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk. Written by Alex M. Dunne <dunne_alex@jpmorgan.com>

Plot Summary | Plot Synopsis

Plot Keywords:

desk | corporation | clerk | job | italian | See All (132) »




Not Rated | See all certifications »




Release Date:

15 October 1962 (Sweden)  »

Also Known As:

Il Posto  »

Filming Locations:


Box Office


$55,000 (estimated)

Opening Weekend:

$2,581 (USA) (20 December 2002)


$6,137 (USA) (27 December 2002)

Company Credits

Production Co:

,  »
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Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


Like Domenico, Ermanno Olmi clerked in a Milanese company for over ten years. See more »

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User Reviews

an honest and beautiful film
11 January 2008 | by (United States) – See all my reviews

"Il Posto" is an extremely simple film; by that I do not refer to its intelligence, which is on par with anything written by Sartre or Hobbes, but its way of representing its characters and the environment surrounding them; they are not shown with an emotional and artistic grace, as in a film by Visconti, but rather in a plain (but not dull) and un-grandiloquent way. They are shown not as heroes, or rebels, but rather as ordinary people, with ordinary problems inside of ordinary lives. But even through this simplicity, Ermanno Olmi finds beauty.

It is about a shy and timid young man from a small village trying to get a corporate job in Milan; he meets and falls in love with a beautiful girl who works there; he tries to court her. It is also an extremely (and extremely subtly) political film; we see the day-to-day lives of the middle-aged employees, and their interactions with others. We see the poor, the rich, and those in-between, there interactions and their place in their world, and how they stay that way. It is, as well as an intimate character piece, a film of society, and its flaws.

It's a film of sublime beauty, though not on the surface. Its a film that leaves the viewer with a sense of every emotion possible: humor, sadness, tragedy, innocence, etc. Its a social and emotional documentary-as-fiction. Its a film I wouldn't hesitate to call perfect.

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