In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
The life inside a farm in Italy at the beginning of the century. Many poor country families live there, and the owner pays them by their productivity. One of the families has a very clever ... See full summary »
Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his... See full summary »
A middle-aged, middle-class man named Bruno gets his boss's job . The film examines his sensitivity towards his old boss, whom he doesn't want to hurt, towards his employees, and towards his wife and mistress.
Brunetto Del Vita,
Working class and middle-upper class worlds come together in this interesting look at class conflict within the gay world from the German director Reiner Werner Fassbinder. Fassbinder plays... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De' Medici, a young brave captain in ... See full summary »
Agnese, a 15-year-old Sicilian girl is seduced and impregnated by Peppino, her sister Matilde's fiancé. Soon Vincenzo, Agnese's father, discovers everything. He wants to force Peppino to ... See full summary »
Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk. Written by
Alex M. Dunne <email@example.com>
I encountered this film almost accidentally one evening, and was not expecting a lot from it. Certainly, I had no way of knowing in advance what I was in for. With relative indifference I sat down, pressed play, and ended up experiencing one of the greatest movie experiences of my life. I sat in my chair, taking in the film, and was breathless. It never took a wrong step.
As a film-maker myself, I kept a critical watch, waiting for Olmi or one of his actors to misstep. However,I can happily say that 'Il Posto' is a flawless picture. It is deeply moving, visually beautiful, and has a resonating power unlike almost any other film.
I sincerely wish that more people could see and appreciate this picture, and that it was more widely available, because I consider it one of the greatest accomplishments in cinema history. Olmi's beautiful, universal film is worthy of standing alongside the best of Bergman, Kubrick, or Bunuel. Please seek it out!
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