One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
This is about a self-styled New York hipster who is paid a surprise and quite unwelcome visit by his pretty sixteen-year-old Hungarian cousin. From initial hostility and indifference a ... See full summary »
Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk. Written by
Alex M. Dunne <firstname.lastname@example.org>
"Il Posto" (called "The Sound of Trumpets" in the US) is a quiet, sadly humorous movie about the dehumanization of two people who obtain "a job for life" in a major Northern Italian corporation.
Domenico ((Sandro Panseri) and Antonietta (Loredana Detto) are two young adults who meet when both of them apply for a job in Milan. There is definitely a chemistry between the two, and, when both are hired, we expect that their relationship will progress.
The progress of this relationship is confounded when the two are assigned to different buildings, with different shifts and different lunch breaks.
We become aware--before the protagonists do-- that the promise of "a job for life" is a double- edged sword. With the job comes the realization that white collar workers here become cogs in a machine in which boredom and stifling repetition rule.
See this picture because it's a small, quiet, neorealist gem. (Olmi went on to direct "The Tree of Wooden Clogs," one of the finest movies I have ever seen. This early movie shares the quiet, observant quality of Olmi's later masterpiece.)
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