Cool, cultured John Gant rides into Lordsburg. Gant is a professional killer, and although no one knows who he is there to kill, they are all worried. Everyone has enemies, and maybe Gant ... See full summary »
In the old West, a small frontier town is being controlled by ruthless mob boss Decker and his cronies. After the local sheriff dies under mysterious circumstances, Decker arranges to have ... See full summary »
Murphy deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. He overcomes initial distrust and convinces the homesteaders (all women ... See full summary »
After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain ... See full summary »
When Clay Santell stops in the town of Sutterville after having his horse stolen, he is mistaken by townspeople for a murderer named Travers. The townspeople capture Santell, and turn him ... See full summary »
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - ... See full summary »
This is only the second Audie Murphy movie set in WWII after his autobiographical "To Hell and Back." Here Murphy steps out of his usual kid-Western role to play a civilian working for the ... See full summary »
Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion. Written by
better than average Audie Murphy western with more sharply defined characters than usual - plus a good script that brings freshness - and even fun - to the heavily traveled chase 'em plot
the actors help a lot - Robert Keith as the grizzled ex Civil War soldier who keeps trying to take over the posse - Rudolph Acosta as an Indian trying to be accepted - John Saxon as a soft Easterner reluctantly shoved into posse duty - Paul Carr as an eager young man handy with pistols - to name a few - somehow the script makes this diverse group interesting without making them annoying - the one notable exception is the 1-dimensional quality of the kidnapped girl as written - fortunately - the role was given over to the way-too-talented Zohra Lampert - and she brings this small part to life
the represents the type of effort that makes genre enjoyable
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