Based on the true-life book of lawman Burton Turkus, this movie chronicles the rise and fall of the organized crime syndicate known as Murder, Incorporated. Focusing on powerful boss Lepke ... See full summary »
The lights go out at a high-society dinner party and one of the guests is murdered. The police are summoned and Inspector Killian shows up, with his assistant Carney. In order to get a ... See full summary »
William Collier Jr.
After her father's death, Mary Rainey takes over the Rainey Circus (which operates twice daily, rain or shine) but runs into financial troubles. In one bit reminiscent of the Marx Brothers,... See full summary »
Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples --- he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie's daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count's son wants to marry Louise, who thinks her mother is part of New York society. It's up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York's elite. Written by
This film contains perhaps the earliest Hollywood use of "godfather" as a synonym for mob boss. Some experts cite mob informer Joe Valachi as the originator of the term in the popular vernacular, but this film predates his 1963 congressional testimony by a couple of years. See more »
The film is set in 1931, with a reference being made to 'Mr Moto'. However, the first Mr Moto book was published in 1935 and the first film featuring 'Mr Moto' made in 1937 See more »
She's like a cockroach what turned into a butterfly!
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Apple Annie (Bette Davis) makes her living as a gin-sauced, basket-carrying, apple-selling NYC street woman. This motion picture is in color which makes Davis's famous facial expressions, especially her eyes, all the more effective.
The people Apple Annie hangs out with are other street vendors who are social misfits of various sorts; but, they have one thing in common: poverty.
Apple Annie is well connected with a mobster known as The Dude. Fortunately, he's superstitious. The tough mobster (Glen Ford) believes Apple Annie's apples bring him daily good luck because she says, "God Bless You," to everyone who buys from her.
All along Apple Annie's been writing her daughter on stationary from an upper-crusty city apartment complex, in order to pretend that she's a well-to-do lady. When her daughter, Louise (Ann Margaret, in her film debut) writes that she's coming to the city with her potential fiancé', whose father is a Spanish count, Apple Annie's pretense is not only about to be exposed but it could ruin her only child's chance for marrying well enough so that she'll never live in poverty as her mother has.
The rest of the story is fabulous: humorous, ingenious, well-casted, scripted and acted. It's anything but a typical mob story.
For me, the priceless scenes are between the veteran actor Bette Davis and upstart Ann Margaret. Imagine being able to claim that in your first film you starred as Bette Davis's daughter? Margaret gives a fine first film performance face-to-face with the Queen of the Screen. Peter Faulk does his mobster version of "Columbo," in top form. Davis, in Technicolor, delivers one of the most realistic, heart-felt, truly dramatic metamorphosis characters I've seen.
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