The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
While waiting on a delayed flight, David Trask, who has left his unfaithful wife, meets three of his fellow passengers. When the aircraft crashes, he is one of few survivors, and sets out to resolve their unfinished business.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples --- he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie's daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count's son wants to marry Louise, who thinks her mother is part of New York society. It's up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York's elite. Written by
The Dude's apartment is of 1950-60s design with furniture of that era. See more »
Dave the Dude:
[seeing the Butler packed and sneaking out of his room]
Now where do you think you're goin?
Well I... I'm fleeting from Armageddon, sir. With my cardiac condition, I... I just cannot take unhappy endings. So I'm off to join Mr. Kent in Havana, sir.
Dave the Dude:
With two broken legs?
My legs, sir, oh they're quite... Oh. OHHH! Very cleverly put, sir, yes... thank you, sir... Not at all...
[hurries back into his room]
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This movie is long, talky and winded, but there are some wonderful performances. And, the last scene with Bette Davis (can't say more for fear of divulging too much) is a marvel. Deeply moving and Davis is luminous. All of the talk, talk, talk is worth the look on Davis' face at the end of the film. Enjoy it, warts and all.
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