In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person...
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Paquita and her brother Venancio, both single and childish, live in a small town near Madrid. Their bossy eldest sister Ignacia, also an old maid, dominates them. One night, Paquita hears ... See full summary »
Fernando Fernán Gómez
Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully. However, real robbers come ... See full summary »
José María Forqué
José Luis López Vázquez,
Professor Jorge Serra Hamilton, an American scientist specialist in the atomic bomb, flees from their transcendental duties, in order to take shelter incognito and for a time in the idyllic... See full summary »
Luis García Berlanga
A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village. In addition to ruining the ... See full summary »
Luis García Berlanga
Second installment of the saga of the Leguineche's preceded by "The National Shotgun" and completed by "National III". After the death of Franco (1975) and the restoration of the monarchy, ... See full summary »
In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person dining with them that night. The celebrations also include a parade, and in it we find Plácido, the humble owner of a three-wheeler, whose family is forced to live in a public lavatory because of the lack of money to pay the rent, and who has to pay the second bill of his vehicle before midnight or else he will lose it. Written by
The film was originally going to be titled "Siente a un pobre a su mesa" ("seat a poor man at your table"), but this was ultimately changed because the Spanish censorship would not allow it. See more »
The desperation of Spain seen through the looking-glass of black comedy.
As is almost always the case with the films of Berlanga, this film is a comedy on the surface, which hides a very hard and crude criticism of the situation of Spanish society during the dictatorship. In those years, Spanish filmmakers couldn't speak freely and openly about the dismal state of their country, so they had to pass their message to the audience between the lines. Berlanga was a master at doing this, and Plácido is one of his finest examples. The abysmal differences that existed between the very poor (the majority of the population at the time) and the very rich, who treated the rest with utter contempt and ridiculous condescency, is portrayed with such strength that it can't leave anyone indifferent. But it is done in the form of a comedy, and a very funny one, full of absurd situations and memorable dialogues, but also a very black one, with some scenes, especially near the end of the movie, which are on the edge of the truly macabre. A true masterpiece from one of the greatest Spanish directors.
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