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Paris Blues (1961) More at IMDbPro »

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Overview

User Rating:
6.6/10   533 votes
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Down 5% in popularity this week. See rank & trends on IMDbPro.
Director:
Martin Ritt
Writers:
Walter Bernstein (writer)
Harold Flender (novel)
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Contact:
View company contact information for Paris Blues on IMDbPro.
Release Date:
27 September 1961 (USA) more
Genre:
Drama | Music more
Tagline:
A Love So Spectacular, So Personally Exciting, You Feel It Happening To You!
Plot:
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time... more | full synopsis
Awards:
Nominated for Oscar. Another 1 nomination more
NewsDesk:
(3 articles)
Paul Newman dies of cancer at 83
 (From The Hollywood News. 27 September 2008, 6:25 PM, PDT)

Robert Redford 'Beyond Words' over Newman’s Death
 (From PEOPLE.com. 27 September 2008, 12:00 AM, PDT)

User Comments:
"The Frenchmen's all prefer what they call, le jazz hot." more

Cast

  (Credited cast)

Paul Newman ... Ram Bowen

Joanne Woodward ... Lillian Corning

Sidney Poitier ... Eddie Cook

Louis Armstrong ... Wild Man Moore
Diahann Carroll ... Connie Lampson
Barbara Laage ... Marie Seoul
André Luguet ... Rene Bernard
Marie Versini ... Nicole
Moustache ... Drummer
Aaron Bridgers ... Pianist
Guy Pederson ... Bass Player
Serge Reggiani ... Michel Duvigne
rest of cast listed alphabetically:
Emilien Antille ... Man with alto sax in jazz cave when Armstrong enters
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Additional Details

Runtime:
98 min
Country:
USA
Language:
English | French
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Certification:
Australia:PG | Finland:K-12 | Sweden:11 | USA:Approved (PCA #19792)
Filming Locations:
Paris, France

Fun Stuff

Quotes:
Lillian Corning: You know, everybody's always waiting for everybody else to take a chance because they're so afraid! more
Movie Connections:
Featured in Century of Black Cinema (2003) (V) more

FAQ

This FAQ is empty. Add the first question.
13 out of 21 people found the following comment useful:-
"The Frenchmen's all prefer what they call, le jazz hot.", 15 December 2005
7/10
Author: bkoganbing from Buffalo, New York

The American in Paris theme has been done very often in American cinema. The tradition is huge splashy technicolor with Gene Kelly, Fred Astaire, Jane Powell, Audrey Hepburn cavorting around the well known streets and landmarks. Those are nice films, but that ain't what you get here.

No Louvre, no Arc de Triomphe, no Eiffel Tower, a brief shot of Notre Dame from a distance; that's about it from the well known Paris. The Paris we see here in this black and white film is of the jazz clubs of the Left Bank where two expatriate musicians, Paul Newman and Sidney Poitier, eke out a living doing what they love.

Newman has ambitions though, he'd like to be a serious composer not a trombonist all his life. Poitier has come to Paris for reasons of the race problems in the USA.

Into their lives two American tourists come, Joanne Woodward and Diahann Carroll. A couple of dual romances commence.

Carroll and Poitier have a spirited debate over civil rights. The movement is getting into high gear in America and Carroll wants him to return and be part of it. No thanks, says Poitier, he just wants to do his jazz thing where his skin color isn't anyone's problem least of all his own.

Interestingly Carroll was doing a kind of warm up for another part of a black woman in Paris on Broadway the following year in Richard Rodgers, No Strings. In that play she falls for an expatriate writer played by Richard Kiley. An interracial romance, one of the first shown on the Broadway stage, still a lot of the same issues were in that show.

Paris Blues is a different slice of Parisian life for an American film to explore. All four leads do just fine, though the film probably doesn't rank in the top work of any of them.

Lots of jazz music for the aficionado. And of course the presence of the incomparable Louis Armstrong. The highlight of the film is the jam session with those two ersatz musicians Newman and Poitier.

The way Satchmo is received by the public only proves the truth of that line he sang in High Society about the way the French love American jazz.

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