Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
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Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return. Written by
Ken Yousten <email@example.com>
Marlon Brando would sit near the ocean for hours waiting for the waves to become more dramatic for his perfect shots. See more »
The glass tankards that the party-goers drink from in the fiesta (c.56 minutes) are of a design first produced around the 1920s. See more »
[Bob and Harvey are watching Longworth whip Rio]
We better get down there and do something.
Do something? Not this old horse; Longworth's got enough shotguns down there to start a war. Besides, this might help get some of that snot-nose out of him.
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This film is essential viewing for Brando fans. Brando directs for the only time . Working from a script that is in part based on the legend of Pat Garrett and Billy the Kid, Brando interweaves themes of betrayal, revenge and hypocrisy into something strangely hypnotic and real. Particularly effective in this respect is the scene with Karl Malden and Brando on the outskirts of Monterey where the two sit reminiscing amusingly about their past together and the viewer is left wondering if at any moment the two of them might end up blowing each others heads off. The other key to this film is setting it on the west coast of California thereby giving it a feel and rhythm that is unique to the western genre. All in all a greatly neglected treasure.
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