Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ... Written by
The combination to the safe in C.R. MacNamara's office is 22-5-17. This is revealed when MacNamara's demands their children's and her passports to return to the United States. See more »
In the scene with the three MPs, when one opens the door and says he wants to be taken away, the other soldier call him "Sarge" at least twice. However, the insignia on his sleeve shows he's a Specialist 5th Class, equal in pay grade but not addressed as a sergeant. The two soldiers with stripes (Corporals) would actually out rank the specialist who was not considered a Noncomissioned Officer. See more »
Howard Hawks usually gets the palm for the fastest dialogue in comedies but Wilder probably ties him here. This must be one of the funniest comedies to come out of Hollywood, at least during the sound era. The gags come fast -- and thick. If one doesn't work you don't have time to be disappointed because the next one is already underway.
It's one of those movies in which the gags would be spoiled if they were described to a person who hadn't yet seen the film. For the most part they are tied closely to the plot and often build on one another. But I'm compelled to give one example. Cagney is an executive in Berlin and his first-hand man is Schlemmer. Schlemmer has a habit of clicking his heels before and after addressing Cagney. At one point Cagney chews him out and asks him, "just between us," what Schlemmer did in the war. "I was in the underground," says Schlemmer. "Oh, the resistance?" "No, the underground. The subway. I was a conductor." Cagney says supiciously, "And I suppose you never were a supporter of Adolf." Schlemmer: "Adolf who? You see, I was always in the underground. They never told us anything down there."
The dialogue is shouted rather than spoken. Heels are clicked, people leap to attention, fingers are snapped, orders are flung about. The only person who doesn't run around frantically is Lilo Pulver who does not have to run to attract anyone's attention. She can simply stand still and get the job done. She's Cagney's secretary and tells him she's thinking of getting a job elsewhere as a translator. "Don't forget I am bilingual." "Don't I know it," Cagney mutters ruefully.
But I won't go on because I'll just wind up giving away more gags. Check the trivia entries too. This was Cagney's last major role and one of Wilder's best comedies. It's simply hilarious and not to be missed.
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