Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ... Written by
When trying to return to West Berlin the car Cagney is in is being chased by another car. Cagney asks his driver what kind of car it is. The driver tells him it's a 1937 Nash. The 1937 Nash was the car of choice in late 30s and early 40s gangster films. See more »
Schlemmer calls his former superior officer in the SS "Herr Oberleutnant". The SS had no rank of Oberleutnant nor did its members call each other Herr. Oberleutnant was a German Army rank. The corresponding SS rank was Obersturmführer. See more »
[Scarlet takes off Otto's cap, revealing his shaggy, disheveled hair]
He could use a haircut... and I'd like to give it to him myself with a hammer and sickle.
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"One, Two, Three," is a fast paced, cleverly scripted comedy, with an absolutely stellar performance from James Cagney. Billy Wilder's direction is vigorous and tight-knit, with a tempo that doesn't let up, yet doesn't tire either. One good line after the next, in an original comedy with loads of laughs. But it's Cagney's show, and does he give it his all! This is a wonderful tribute to one of the screen's all-time great actors.
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