In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person... See full summary »
Luis García Berlanga
José Luis López Vázquez,
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ... Written by
The building of the Berlin Wall during production badly hurt the film's marketing in Germany. It was very ill-received by German audiences and had minimal success during its initial run. See more »
In the Grand Hotel Potemkin scene, Peripetchikoff says "We cannot interfere with internal affairs of sovereign Republic of East Germany." The correct formal name of the country was the German Democratic Republic. See more »
What were you doing in East Berlin?
You mean last night?
I mean *all* those nights.
You see, there's this boy over there. Wow!
What boy? What have you been up to?
Well, I met him about six weeks ago. I went into East Berlin and there was this parade and they wanted to arrest me.
Because I was taking pictures. And then this boy, he was in the parade, he said to the police man I shouldn't be arrested, I should be pitied, because I was a typical bourgeois parasite and the rotten fruit ...
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One, Two, Three is from the fertile mind of Billy Wilder where Cold War politics gets reduced to the absurd. This film is so fast and so funny it's only a few steps from Monty Python.
For what was and what should have remained his swan song to the world of film James Cagney heads the cast in this. He's the man in charge of Coca-Cola's operations in Germany which is headquartered in West Berlin and he's had a lovely little present dumped in his lap. The daughter of the CEO of Coca-Cola is in Europe and now she's in Germany and he's expected to watch out for her. The daughter is played by Pamela Tiffin and she is one of the biggest airheads ever portrayed on the screen. She's fallen big time for a German kid played by Horst Bucholtz. They've gotten married.
Bucholtz is a kid who's real good at spouting all kinds of left wing slogans without delving to deeply into their meanings. He's a Communist and that drives Cagney nuts and if it drives Cagney nuts, Tiffin's father is sure to go over the top. Cagney takes it upon himself to get Bucholtz arrested on the East Berlin side as an American spy.
Of course a small memento of their married life has developed inside Tiffin so now Cagney has a real problem. He's got to get Bucholtz back and turn him into a money grubbing capitalist in his image. The frantic pace at which this is attempted, racing against the clock when Tiffin's father played by Howard St. John arrives in Berlin is what the rest of the film is about.
Wilder has a ball reducing the Cold War to its basic absurdities. The USA is symbolized by James Cagney who thinks the whole world will become America if only enough Coca-Cola is peddled. Cagney comes real close to proving it so.
The Communists come out far worse. Karl Marx's world always looked nice on paper, but always has had a real problem being converted into a functioning state. The Russians are also good at spouting the party line, but in One, Two, Three, Wilder shows how very easily they can be influenced by some of life's most elemental things and I don't mean Coca-Cola.
Cagney did not always get along with Wilder, but both men were professional enough to bury certain creative differences. Cagney was kind and patient with Tiffin who was getting her first real break in film. However he grew to positively loath Horst Bucholtz. In his memoirs which came out in the 1970s, Bucholtz was the only colleague who Cagney had anything really critical to say about.
During the middle of the film being shot, the Russians stopped the flow of traffic from West and East Berlin. Some shots had to be redone around the Brandenburg Gate, a whole set had to be constructed. I suppose a well trained cinema professional could spot the shots where the real and the fake Brandeburg were used. I sure can't. The following year, the Berlin Wall was built, so Wilder got his film done just in time.
Arlene Francis plays Cagney's exasperated wife and she of What's My Line does just fine. Cagney made an appearance on that show just before shooting started and gave the picture a big old plug.
The laughs come pretty fast and furious as James Cagney struggles mightily to prevent the arrival of "another bouncing, baby, Bolshevik."
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