Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ... Written by
When trying to return to West Berlin the car Cagney is in is being chased by another car. Cagney asks his driver what kind of car it is. The driver tells him it's a 1937 Nash. The 1937 Nash was the car of choice in late 30s and early 40s gangster films. See more »
In the Grand Hotel Potemkin scene, Peripetchikoff says "We cannot interfere with internal affairs of sovereign Republic of East Germany." The correct formal name of the country was the German Democratic Republic. See more »
I will not have my son grow up to be a capitalist.
When he's 18 he can make his mind up whether he wants to be a capitalist or a rich communist.
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If you're planning on screening "One, Two,Three" for the first time and you weren't alive in 1961, take a moment to acquaint yourself with the political climate of the time....then get ready to laugh A LOT ! I was 17 when "One, Two, Three" came out and all these years later I am still amazed at the majesty of this film. As most of you know, this was to be James Cagney's last picture, and it took a lot of convincing by Billy Wilder to get him to do it. Cagney did come back one more time for "Ragtime", but that doesn't lessen the greatness of this, his final starring role. I saw a comment posted about the film having the perfect cast and I agree, but it's not surprising when you consider this: name me a Billy Wilder film that didn't have the perfect cast ! William Holden and Gloria Swanson in "Sunset Blvd", Jack Lemmon and Shirley MacLaine in "The Apartment", Jack Lemmon, Tony Curtis and Marilyn Monroe in "Some Like It Hot", Jack Lemmon and..well, you get the picture: Billy Wilder knew precisely who he wanted for every part and usually got them, and if he had to go with choice # 2, then choice # 2 was one lucky actor. And each supporting role, no matter how small, got the same Wilder treatment. I know because my dad was the TV Movie Host in "The Apartment". Actors knew that being in a Billy Wilder film meant the script would be first rate and the director would get a first rate performance out of them, even if it took all night. Pamela Tiffin was just terrific in this film, but sadly she never got another role worthy of her ability. The same goes for Horst Buchholz, "The Magnificent Seven" not withstanding. At least they got to do "One, Two, Three" and that might have just been enough. Right up there in the same league with "The Philadelphia Story", "Annie Hall" and the original version of "To Be Or Not To Be" starring Jack Benny and Carole Lombard, Billy Wilder's "One, Two, Three" is a forever film classic for all the reasons I and others have mentioned, and for one more which it shares with every great film: "One, Two, Three" assumes you have a brain and treats you accordingly. " SCHLEMMER !!!!!"
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