In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person... See full summary »
Luis García Berlanga
José Luis López Vázquez,
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ... Written by
In addition to the "Yes, We Have No Bananas" song, Billy Wilder also borrowed the climactic switcheroo from Sabrina (1954) right down to the hat and umbrella. Piffl goes to London instead of MacNamara, just as Linus Larrabee goes to Paris instead of David Larrabee. See more »
In the shots from the west side of the Brandenburg Gate, a sign is shown reading: "ACHTUNG! YOU ARE NOW LEAVING WEST BERLIN." No such sign, in mixed German and English, was ever posted in Berlin. The signs advising that one was leaving or entering one of the four sectors of the divided city were all written in four languages: German, English, French and Russian. Apart from its factual inaccuracy, it would make no sense to post a sign written partially in one language and partially in another. See more »
I think your mother's absolutely right, it's silly to pack them. What are you gonna do with roller skates in Venice? All the streets are under water.
So what? I'm taking my aqualung and my snorkel.
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Howard Hawks usually gets the palm for the fastest dialogue in comedies but Wilder probably ties him here. This must be one of the funniest comedies to come out of Hollywood, at least during the sound era. The gags come fast -- and thick. If one doesn't work you don't have time to be disappointed because the next one is already underway.
It's one of those movies in which the gags would be spoiled if they were described to a person who hadn't yet seen the film. For the most part they are tied closely to the plot and often build on one another. But I'm compelled to give one example. Cagney is an executive in Berlin and his first-hand man is Schlemmer. Schlemmer has a habit of clicking his heels before and after addressing Cagney. At one point Cagney chews him out and asks him, "just between us," what Schlemmer did in the war. "I was in the underground," says Schlemmer. "Oh, the resistance?" "No, the underground. The subway. I was a conductor." Cagney says supiciously, "And I suppose you never were a supporter of Adolf." Schlemmer: "Adolf who? You see, I was always in the underground. They never told us anything down there."
The dialogue is shouted rather than spoken. Heels are clicked, people leap to attention, fingers are snapped, orders are flung about. The only person who doesn't run around frantically is Lilo Pulver who does not have to run to attract anyone's attention. She can simply stand still and get the job done. She's Cagney's secretary and tells him she's thinking of getting a job elsewhere as a translator. "Don't forget I am bilingual." "Don't I know it," Cagney mutters ruefully.
But I won't go on because I'll just wind up giving away more gags. Check the trivia entries too. This was Cagney's last major role and one of Wilder's best comedies. It's simply hilarious and not to be missed.
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