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101 Dalmatians (1961)

One Hundred and One Dalmatians (original title)
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When a litter of Dalmatian puppies are abducted by the minions of Cruella de Vil, the parents must find them before she uses them for a diabolical fashion statement.

Directors:

, (as Hamilton S. Luske) | 1 more credit »

Writers:

(story), (novel)
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Popularity
3,485 ( 108)
Won 1 BAFTA Film Award. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Pongo (voice)
...
Colonel / Jasper (voice)
Betty Lou Gerson ...
Cruella De Vil / Miss Birdwell (voice)
...
Nanny / Queenie / Lucy (voice)
Ben Wright ...
Roger (voice)
Cate Bauer ...
Perdita (voice)
David Frankham ...
Sgt. Tibs (voice) (as Dave Frankham)
Frederick Worlock ...
Horace / Inspector Craven (voice) (as Fred Worlock)
Lisa Davis ...
Anita (voice)
...
Quizmaster / Collie (voice)
Tudor Owen ...
Towser (voice)
George Pelling ...
Danny (voice)
Ramsay Hill ...
Television Announcer / Labrador (voice)
Sylvia Marriott ...
(voice)
Queenie Leonard ...
Princess (voice)
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Storyline

Pongo and Perdita have a litter of 15 puppies. Cruella De Vil takes a fancy to the pups, and wants to get hold of them, as well as more pups, to make herself a lovely dalmatian skin coat... Cruella hires some thugs to kidnap the pups and hold them at her mansion. Will Pongo and Perdita find them in time ? Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

puppy | dalmatian | dog | pet | horse | See All (63) »

Taglines:

One great big ONEderful motion picture See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

Release Date:

25 January 1961 (USA)  »

Also Known As:

101 Dalmatians  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$153,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Contrary to popular belief, the cartoon that the puppies watch on the TV in Hell Hall is not Flowers and Trees (1932). It is actually Springtime (1929). See more »

Goofs

When the dogs are moving up the frozen creek, Lucky's ears change from white to black. See more »

Quotes

[first lines]
Pongo: My story begins in London, not so very long ago. And yet so much has happened since then, that it seems more like an eternity.
See more »

Crazy Credits

There are no end credits for this feature film. However, the credits are at the beginning. See more »

Connections

Referenced in Smallville: Rabid (2009) See more »

Soundtracks

Dalmatian Plantation
Written by Mel Leven
Performed by Bill Lee
See more »

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User Reviews

 
A new look
15 February 2000 | by (Canberra, Australia) – See all my reviews

A large part of Disney's triumph cannot be detected by the naked eye. His last animated film had been `Sleeping Beauty', which was the most extravagant and spectacular animated film of all time (excluding `Fantasia'). It wasn't a financial success. `101 Dalmatians', much less extravagant, was. In the two years between `Sleeping Beauty' and its successor there had been a revolution. The entire army of inkers who had carefully translated animators' pencil drawings into smooth, flowing lines were replaced by a machine that simply photocopied. This changed the character of animation so much that `Dalmatians' is almost the precise opposite of `Beauty'. Outlines are rough and black; the entire film looks decidedly drawn rather than painted, even the bits that are in fact painted; and the rich variety of colour of Disney's earlier films has been replaced with the stark white-with-black-spots coat of a dalmatian, with the occasional splash of startling red. The art directors were as determined to get the most out of the new technology as they had been to get the most out of the old technology.

And it has its own quiet extravagance. A title promising over one hundred spotted dogs was (probably still is) the kind of thing liable to make animators feel faint. It couldn't have been done without the photocopier; and even so, getting spots to stay in the right place on a featureless white background is a huge headache. None of this leaps out an audience. We simply see a hundred adorable dogs.

The story is simple, clean, civilised, and warm. It moves slowly but this doesn't matter. Preventing the film from becoming lethargic is Cruella de Vil. She can drive like a maniac through the snow, smoke a cigarette through a holder the length of a sword, wave her arms like a windmill ... yet she handles quiet determination and gritted teeth equally well. Character animation doesn't get any better than this.


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