| Tatsuya Nakadai | ... | Kaji | |
| Michiyo Aratama | ... | Michiko | |
| Tamao Nakamura | ... | Hinannmin no Shôjo | |
| Yûsuke Kawazu | ... | Terada Nitôhei | |
| Chishû Ryû | ... | Hinanmin no Chôrô | |
| Taketoshi Naitô | ... | Tange Ittôhei | |
| Kyôko Kishida | ... | Ryûko | |
| Reiko Hitomi | ... | Umeko | |
| Keijirô Morozumi | ... | Hironaka Gôchô | |
| Koji Kiyomura | ... | Hikita Ittôhei (as Kôji Kiyomura) | |
| Nobuo Kaneko | ... | Kirihara Gôchô | |
| Fujio Suga | ... | Nagata Taii | |
| Tatsuya Ishiguro | ... | Dôkutsu Taichô | |
| Kazuo Kitamura | ... | Kitagô Sôchô | |
| Toshio Takahara | ... | Chôsen e Iku Heichô | |
| Akira Yamanouchi | ... | Kira Jôtôhei | |
| Hiroshi Nihon'yanagi | ... | Noge Shôsa | |
| Kôichi Hayashi | ... | Minagawa Tsûyaku | |
| Ko Mihashi | ... | Rôkyôshi (as Kô Mihashi) | |
| Kichijirô Ueda | ... | Sekitan'ya | |
| Saburoh Bouya | ... | Zakkaya (as Saburô Bôya) | |
| Masahiko Naruse | ... | Chôsenjin | |
| Takashi Sue | ... | Ogura Heichô | |
| Kin Sugai | ... | Dôro no Hinanmin | |
| Miyoko Nakamura | ... | Zakkaya no Tsuma | |
| Yoshie Minami | ... | Rôkyôshi no Tsuma (as Yoshi'e Minami) | |
| Noriko Ishimoto | ... | Sekitan'ya no Tsuma | |
| Takayuki Shindô | ... | Hinanmin no Shônen | |
| Fumie Kitahara | ... | Buraku no Hinanmin (as Fumi'e Kitahara) | |
| Gen'ya Nagai | ... | Heitai A | |
| Hideo Fukuhara | ... | Heitai B | |
| Tadayoshi Hirosawa | ... | Ide Ittôhei | |
| Tetsuo Mizoi | ... | Hoshô | |
| Daijiro Minami | ... | Ikkenn'ya no Rônôfu (as Daijirô Minami) | |
| Kanji Ôsugi | ... | Hatake no Chûgoku Nômin | |
| Mamoru Hirata | ... | Fukumoto Jôtôhei | |
| Hideo Hirosawa | ... | Heitai C | |
| Takao Tsuge | ... | Heitai D | |
| Kôtarô Hirasawa | ... | Dassô Suru Heitai A | |
| Masatoshi Kanematsu | ... | Dassô Suru Heitai B | |
| Yuichi Kikuchi | ... | Ujii'e Jôtôhei (as Yûichi Kikuchi) | |
| Hachirô Maruyama | ... | Tsûyaku | |
| Akira Kimura | ... | Chûgokujin no Wakamono | |
| Yasuo Minami | ... | Naganuma - Chûi | |
| Hideko Aki | ... | Hinanmin no Onna | |
| Mikiko Suzuki | ... | Hinanmin no Onna | |
| Yumiko Oguri | ... | Hinanmin no Onna | |
| Kazuko Hirano | ... | Hinanmin no Onna | |
| Yoshiko Watanabe | ... | Hinanmin no Onna | |
| Yôko Hayashi | ... | Hinanmin no Onna | |
| Fumiko Kondô | ... | Chôsenjin no Tsuma | |
| Edo Kîn | ... | Sorengun Shôkô | |
| Ronarudo Serufu | ... | Chabâefu | |
| Pôru Rafaero | ... | Tôbatsutai no Shikikan | |
| Wiriamu Bassun | ... | Shisatsu Sareru Hoshô | |
| Henrî Ban | ... | Manjûya | |
| Hideko Takamine | ... | Hinanmin no Onna |
Directed by | |||
| Masaki Kobayashi | |||
Writing credits | ||
| Zenzo Matsuyama | (screenplay) (as Zenzô Matsuyama) & | |
| Koichi Inagaki | (screenplay) (as Kôichi Inagaki) & | |
| Masaki Kobayashi | (screenplay) | |
| Jumpei Gomikawa | (novel) (as Junpei Gomikawa) | |
Produced by | |||
| Masaki Kobayashi | .... | producer | |
| Shigeru Wakatsuki | .... | producer | |
Original Music by | |||
| Chûji Kinoshita | |||
Cinematography by | |||
| Yoshio Miyajima | |||
Film Editing by | |||
| Keiichi Uraoka | |||
Art Direction by | |||
| Kazue Hirataka | |||
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| The Human Condition II: Road to Eternity | The Human Condition I: No Greater Love | Farewell My Concubine | Empire of the Sun | Japan's Longest Day |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
When people think of anti-war films titles such as Platoon, All Quiet on the Western Front and Schindler's List almost immediately come to mind; such films have defined the genre in American culture. However very few directors have provided the perspective from the axis point of view, and fewer still were able to do so in a way that humanizes all countries, not just the protagonist's. Masaki Kobayashi, who is most well known for his samurai pictures such as Seppuku and Samurai Rebellion is able to form such a film, without even a hint of pretentiousness.
The series of films spans nearly ten hours, following a pacifist named Kaji (Tatsuya Nakadai), as he struggles to keep his principles during war times. First as an overseer of a P.O.W. camp, then as a soldier. Due to the length of the film, the level of character development and acting quality, we end up feeling his frustration, pain and triumphs, as each occasion leaves room for both a triumph of the human spirit and subjugation of it. Kaji despises both warfare and violence of all kinds, yet tries to rationalize it for the good of those around him. We become so attached to him and his struggle, that we begin to feel similarly, and as a result we are left with one of the most moving chronicles of the loss that war becomes. I won't spoil anything, but any viewer will be floored by the end, it left me utterly breathless.
So overall I recommend it quite highly, its one of the few great anti-war statements that has aged VERY well in the modern day, and possibly Kobayashi's greatest work. Never slow, yet at the same time never glorifying the action, it is a film that I eagerly await to see re-released.
10/10.