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The Human Condition III: A Soldier's Prayer (1961)

Ningen no jôken (original title)
Not Rated | | Drama, History, War | 5 August 1970 (USA)
His ideals challenged by life as a conscript in war-time Japan's military, a pacifist faces ever greater tests in his fight for survival.



(screenplay), (screenplay) | 2 more credits »

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Cast overview, first billed only:
Tamao Nakamura ...
Hinannmin no Shôjo
Yûsuke Kawazu ...
Terada Nitôhei
Hinanmin no Chôrô
Taketoshi Naitô ...
Tange Ittôhei
Reiko Hitomi ...
Keijirô Morozumi ...
Hironaka Gôchô
Kôji Kiyomura ...
Hikita Ittôhei
Nobuo Kaneko ...
Kirihara Gôchô
Fujio Suga ...
Nagata Taii
Tatsuya Ishiguro ...
Dôkutsu Taichô
Kazuo Kitamura ...
Kitagô Sôchô
Toshio Takahara ...
Chôsen e Iku Heichô


Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanist protagonist, leads the last remaining men through Manchuria . Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines. Ultimately, he finds himself in the exact opposite position he held in the first episode: then a labor manager, Kaji is now a prisoner of war, forced to work for the Russians, whom do not seem to hold to the Communist ideals in which Kaji himself had put his faith. Written by nao209@nyu.edu

Plot Summary | Add Synopsis


Drama | History | War


Not Rated | See all certifications »




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Release Date:

5 August 1970 (USA)  »

Also Known As:

Human Condition III: A Soldier's Prayer  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

2.35 : 1
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Did You Know?


Is the first Japanese movie in stereo. See more »


Follows The Human Condition II: Road to Eternity (1959) See more »

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User Reviews

Contemporary Kraftsmanship
24 May 2012 | by (Tunisia) – See all my reviews

anyone who is seriously interested in understanding what's wrong with the "human" should watch this excellent piece of art. Tatusuya nakadai is delivering here an astonish performance.

Kobayashi is definitely one of the greatest directors and offers precision and coherence to this trilogy. Music is obviously an tremendous emotional experience. There is no necessity to write much, the movie speaks for itself as long as one understands the movements and rhythms conveyed through the subtle evolution of the main character. A long trilogy worth watching till the end in the vein of harakiri (seppuku). PS. understanding our history seems to be of great importance, especially in the actual political context of unrest, what happened and is happening in the arab world is a very important issue, violence unfortunately still prevails.

abolishing authority of any kind (y compris nationalism, religions, traditions, ego etc.) seems the only way out.

4 of 7 people found this review helpful.  Was this review helpful to you?

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Easily one of the 100 greatest films ever!! blueorangeusa2

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