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Cast overview, first billed only:
Tumos, Scultore
Liana Orfei ...
Carlo D'Angelo ...
Alberto Farnese ...
Clelia Matania ...
Giulio Marchetti ...
Piero Palermini ...
Umberto Raho ...
Zeton, Priest
Gino Marturano ...
Melad (as Luigi Marturano)
Romano Giomini
Raf Baldassarre ...
Mareb (as Raffaele Baldassarre)
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A sword and sandal epic.

Plot Summary | Add Synopsis

Plot Keywords:

peplum | ancient egypt | See All (2) »


The Fascinating Woman Who Deserted the Pharaoh For the Arms of the Artist Who Made Her Immortal!


Drama | History


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Release Date:

15 January 1964 (USA)  »

Also Known As:

Nefertiti, Queen of the Nile  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


This is Vincent Price's most unknown movie. See more »


Amenhopis IV changed his name to Akhenaten after converting to the worship of the Aton, and his capital was Akhet-Aton, not Thebes. See more »


Featured in Kolossal - i magnifici Macisti (1977) See more »

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User Reviews

QUEEN OF THE NILE (NEFERTITE) (Fernando Cerchio, 1961) **1/2
5 May 2011 | by (Naxxar, Malta) – See all my reviews

This one, I guess, constitutes what passes for a star-studded peplum, what with 3 Hollywood names (Jeanne Crain, Vincent Price and Edmund Purdom – though, by this point, the latter was already well into his European phase) and a local one (Amedeo Nazzari, whom I recently-viewed in L'ATLANTIDE from the same year); incidentally, I opted to start my tribute to Price's centennial with his two epic Italian efforts (the other being RAGE OF THE BUCCANEERS, also from 1961) so as to segue from April's month-long marathon of such fare.

To be honest, I was not expecting much from it, being more or less a low-brow mix of THE TEN COMMANDMENTS (1956), in which the titular royal had also featured (as did Price himself in a smallish role!), and Purdom's own earlier vehicle THE Egyptian (1954); however, the result is not only eminently watchable but surprisingly decent (so that Price's reputation is none the worse for its being on his resume'!). Crain, of course, is the protagonist – with Price as the High Priest (and, it is later revealed, Nefertite's father!), Purdom a sculptor in love with her when she had not yet ascended the throne and even boasted a different name (later, he is forced to make a statue of the new Queen and chastises her for what he believes to be her opportunism!), while Nazzari is the heir to the realm who intends helping his pal Purdom when Price tries to keep the latter and Crain apart but then, unbeknownst of her true identity, is persuaded by the High Priest to take Nefertite for a wife!

Also involved in the proceedings are lovely Liana Orfei (who would have a similar, albeit even more central, role in RAGE OF THE BUCCANEERS itself) as Purdom's devoted assistant/lover (at one point, her sultry dancing in the desert distracts the guards at the hero's prison-tent so as to enable him to escape) and Umberto Raho (complementing Price's position in the temple as well as the film's villainous stakes). Incidentally, Nazzari's character is interestingly developed: he not only befriends a holy man and supports his reverence for one god over Egypt's several (which does not sit well with the tradition-bound Price) but he eventually goes mad and, finding himself besieged by his own soldiers (under the High Priest's command), commits suicide just instances before Purdom (sent by Crain to mobilize the loyal desert troops to their defence) arrives on the scene! In the end, the film's rich look manages to transcend budgetary limitations…even if the audio levels fluctuated intermittently throughout the copy I acquired, at one time even lapsing (very briefly) into Spanish!

3 of 3 people found this review helpful.  Was this review helpful to you?

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