Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ... See full summary »
Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also ... See full summary »
During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea'. Written by
Stewart M. Clamen <email@example.com>
The armature for the crab is covered with the shell of a real crab instead of the usual latex. Ray Harryhausen bought three crabs for the production, having one humanely killed by a museum employee as boiling it would have changed the color of the shell. The other two were used for close-ups of the crabs' mandibles, which would otherwise have required a huge amount of time to properly animate. These crabs subsequently served as a dinner entrée for Harryhausen and producer Charles H. Schneer. See more »
On the surface of the water, you can see the masts of the sunken pirate ship extending above the surface. However, in the underwater shots the ship is fully submerged. See more »
All right, now get down.
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Opening credits prologue: THE SIEGE OF RICHMOND, VIRGINIA 1865 See more »
This is a splendid adventure story from the Schneer-Harryhausen team, adapted freely from the Jules Verne novel. A group of union soldiers in a Confederate prison hijack a weather balloon during a storm, which, due to some very strange climatic conditions, takes them across the United States and over half the Pacific ocean. Miraculously, they land on an island, where they soon encounter, among other things, a giant crab, bees the size of cows, and a smoking volcano.
The story is too good to give away, and much of the pleasure of the film is the way it unfolds, chapter by chapter, as it were, without seeming episodic or forced. Harryhausen's stop-motion creatures are breathtaking, and movie is overall beautiful to see, very imaginative, managing to walk a fine line between the fantastic and the realistic, with just enough artifice in some of the exterior shots to make it seem larger than life, but not so much as to come off as contrived. Director Cy Enfield deserves his share of credit for keeping the focus on the story, not the effects, and maintaining a deliberate pace. The script could be wittier, though its plainness makes the movie suitable for children.
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