Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were ... See full summary »
Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path. Written by
Molly Malloy <firstname.lastname@example.org>
For years it was thought that Rolisica was actually based on the United States. However, it was revealed years later that it was based on both the United States and the Soviet Union. In fact, the name of the nation of Rolisica is a hybrid of Russia and America. The name of the country originally was going to be Roshirica. Also, the Rolisican flag is a hybrid of the American "Stars and Stripes" and the Russian "Hammer and Sickle". See more »
When Dr. Shinichi is showing the symbols he discovered in the cave to Senchan, you can see someone in black pants and shoes walking down the stairs behind Senchan's head. See more »
The U.S. version, as released by Columbia Pictures, has an extensive cast listing. However, the names of Frankie Sakai, Hiroshi Koizumi and Kyoko Kagawa are missing. They are the top billed stars of the film. See more »
Fairly poor cousin of Godzilla, with much less fighting and destruction than usual. However, the film is raised slightly above the level of many of its type by the fact that we can actually sympathize with Mothra -- after all, they've busted into the virgin territory of tiki-land and stolen the midget twins -- and therefore we understand why Mothra is doing what she's doing. This is something many of the makers of giant monster movies in the 50s missed, and was a big element in the success of "King Kong", "Mighty Joe Young" and other earlier monster flicks -- if we don't care about the big monster, the movie doesn't matter much.
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