Shipwreck survivors are found on Beiru, an island previously used for atomic tests. Amazingly free of radiation effects, they believe they were protected by a special juice given to them by... See full summary »
Shipwreck survivors are found on Beiru, an island previously used for atomic tests. Amazingly free of radiation effects, they believe they were protected by a special juice given to them by the natives. A joint expedition of Rolithican and Japanese scientists explores Beiru and discovers many curious things, including two women only a foot high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, the gigantic moth worshiped as a goddess by the island people. Mothra seeks the women in Tokyo, wreaking the usual havoc and special effects. Written by
Molly Malloy <firstname.lastname@example.org>
For years it was thought that Rolisica was actually based on the United States. However, it was revealed years later that it was based on both the United States and the Soviet Union. In fact, the name of the nation of Rolisica is a hybrid of Russia and America. The name of the country originally was going to be Roshirica. Also, the Rolisican flag is a hybrid of the American "Stars and Stripes" and the Russian "Hammer and Sickle". See more »
When Dr. Shinichi is showing the symbols he discovered in the cave to Senchan, you can see someone in black pants and shoes walking down the stairs behind Senchan's head. See more »
The U.S. version, as released by Columbia Pictures, has an extensive cast listing. However, the names of Frankie Sakai, Hiroshi Koizumi and Kyoko Kagawa are missing. They are the top billed stars of the film. See more »
MOSURA (1961, released in the USA as MOTHRA) is like no other monster movie. It's colorful. Most of it's settings are bathed in storybook like colors, has a pleasent, happy ending where the monster lives!
A greedy showman/explorer Clark Nelson (Jerry Ito) finds twin fairies on an island off Japan. He displays them on the Tokyo stage, where they sing what sounds like a lullaby. It is actually a telepathic distress call to their god and protector, Mothra, a giant caterpillar. Mothra comes to Tokyo, searching for the girls and Nelson, destroying most of the city in it's path. The chase goes from Tokyo to Newkirk City (I guess this is suppose to be a little real life hamlet just south of Yonkers!) What I really love about MOTHRA is that it has many things most other monster movies don't. The hero is a comical, older, tubby reporter, a sort of Japanese Lou Costello. The monster is actually pretty. In the Japanese version, there is some wonderful slapstick and odd humor. THese elements make this film so unique. Director Inoshiro Honda was best friends with more famous and more respected Japanese director Akira Kurosawa. Kurosawa loved Honda's monster movies and according to rumor, yearned to make one himself.
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