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The Mongols (1961)
"I mongoli" (original title)

5.4
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Genghis Khan and his Mongol army invade Poland and lay siege to the city of Cracow. The Polish king tries to make peace in order to save his city, and Genghis Khan seems amenable to that. ... See full summary »

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Cast

Credited cast:
...
Ogatai
...
Hulina
Antonella Lualdi ...
Amina
Franco Silva ...
Stepen of Crakow
Gianni Garko ...
Henry de Valois
Roldano Lupi ...
Gabriella Pallotta ...
Lutezia
Gabriele Antonini ...
Temugin
Pierre Cressoy ...
Igor
Mario Colli ...
Boris
...
Prince Stefan's ally
George Wang ...
Subodai
Rest of cast listed alphabetically:
Andrej Gardenin ...
Fencer
Vittorio Sanipoli
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Storyline

Genghis Khan and his Mongol army invade Poland and lay siege to the city of Cracow. The Polish king tries to make peace in order to save his city, and Genghis Khan seems amenable to that. However, his son Ogotai is itching for war, and his mistress eggs him on to defy his father and take the city. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

A Savage Era Explodes On The Screen!


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Details

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Language:

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Release Date:

31 August 1961 (Italy)  »

Also Known As:

The Mongols  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

During an invasion of the Mongols a character is seen dressed in a sleeveless jacket defending another nailed to a wheel. Ogotai (Jack Palance) drags him down with his whip, only this time the character has lost his sleeveless leather jacked, and is wearing only a wide shirt. See more »

Connections

Referenced in Matinee (1993) See more »

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User Reviews

 
THE MONGOLS (Andre' De Toth, Leopoldo Savona and Riccardo Freda, 1961) **1/2
25 May 2008 | by (Naxxar, Malta) – See all my reviews

This was one of a number of low-brow peplums about ancient warrior tribes made in the wake of THE VIKINGS (1958) – this one even boasted a similarly rousing score by that film’s same composer, Mario Nascimbene. Others in this vein included THE COSSACKS (1960), THE TARTARS (1961) and ATTACK OF THE NORMANS (1962) – the latter being the only one in the bunch that I’ve watched, though I did lose the first one a couple of times on Italian TV.

Actually, this one turned out to be pretty good – and, I have to say, it lived up to the review on “Stracult” where special reference is made to its sequences of bloodthirsty action and sadism. Jack Palance gives the role of Ogotai – son of Asian potentate Genghis Khan – his eye-rolling all; he’s abetted by an equally evil Anita Ekberg (the mighty but battle-weary Khan himself perishes by her hand!). The unhistorical narrative involves the Mongols’ raid of Poland and, in particular, the attempts by one of the latter’s leading figures (Franco Silva) to negotiate a peace treaty with the Khan – a plan which Palance vehemently opposes and constantly schemes to thwart.

Being a relatively low-budget effort, the triple directorial credit might seem surprising: however, as the Italian credits themselves clearly indicate, this translates to being “A Film by Andre' De Toth” (implying that he was merely engaged in a supervisory capacity), “Directed by Leopoldo Savona”, and “Battle Sequences Staged by Riccardo Freda”. With this in mind, there are fewer of the latter than one would perhaps have appreciated – but these are nonetheless handled with the requisite gusto and grandeur. The rest of the film is largely taken up by various court intrigues on both sides of the fence but also a three-way Polish romance involving the aforementioned Franco Silva, Antonella Lualdi and Pierre Cressoy that tends to swamp Palance’s troubled relationship with his own wife!

As I said, the violence is really at the fore in this film – the Mongols themselves are memorably introduced on horseback dragging a statue of the Virgin Mary through the streets of a Polish city they’d just ransacked; besides, there are plenty of floggings (Ekberg herself lends a hand in the punishment of the perennially imperiled Lualdi), crucifixions (two men are even tied to the wheels of an advancing cart!), burnings at the stakes, etc. The finale, then, sees an Alexander NEVSKY (1938)-type strategy at work with the apparently fleeing Silva and his men luring the pursuing Mongol forces into a deadly swamp. The film was good enough almost to merit a *** rating from me…but, at 115 minutes, it’s quite a long haul – especially since it resorts too often to contrived (and repetitive) plotting.


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