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Zen and Sword (1961)
"Miyamoto Musashi" (original title)

7.2
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Ratings: 7.2/10 from 119 users  
Reviews: 1 user | 3 critic

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Title: Zen and Sword (1961)

Zen and Sword (1961) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
Kinnosuke Nakamura ...
Akiko Kazami ...
Ogin
Wakaba Irie ...
Isao Kimura ...
Chieko Naniwa ...
Kusuo Abe ...
Rentarô Mikuni ...
Tokubei Hanazawa ...
Tanzaemon Aoki
Minosuke Bandô ...
Michiyo Kogure ...
Oko
Satomi Oka ...
Kunio Kaga ...
Tsuji Kaze Ten Ma
Seiji Miyaguchi ...
Bamboo craftsman Kisuke
Harue Akagi ...
Kisuke's wife
Shôjirô Ogasawara ...
Shichiho temple monk
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Plot Keywords:

jidai geki | based on novel

Genres:

Drama

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Release Date:

27 May 1961 (Japan)  »

Also Known As:

Zen and Sword  »

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(Eastmancolor)
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Followed by Miyamoto Musashi: Ganryû-jima no kettô (1965) See more »

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User Reviews

 
Life was tough in 1600
28 February 2001 | by (Sydney, Australia) – See all my reviews

The title character, Takezo (later renamed MM), is a fierce beast who lives for fighting and war. The opening of the film sees him crawling in the mud and around slain soldiers to find the young lad who joined him in battle. Takezo mourns that "there'll be no more wars, and what shall I do ?".

The pair are sheltered by a woman and her daughter, who live by stealing from dead soldiers. All four are on the run, as Takezo has in fact deserted. And when Takezo is in turn deserted by the other three, be becomes an outlaw, killing to escape capture.

But he feels obliged to return home, to pass on news and check on his sister's welfare. The game of cat and mouse has begun. The Shogun's vassal's men fail, and the job of capturing the fugitive falls to a wily priest.

I found this film at least watchable and, at times, engrossing. I could well have imagined the great Mifune playing the lead role. Takezo is bursting with vigour and aggression, seething like a wild beast. When he is captured, he is trussed up like a chicken and strung on a high tree to twist in the wind and "have his eyes picked out by the crows". During this scene, he holds a long dialogue with his captors, mainly the priest. His rasping, screeching and furious voice is nearly spellbinding.

The performances are great all round. Apart from the lead actor, the wily priest gives a performance which runs the gamut from serious to hilarous. And the spiteful and scheming grandmother is a real blast too.

This story is reportedly a classic and has been filmed many times. My views it that Takezo is a kind of Japanese everyman. Seething with passion but hemmed in by a society which no longer values warriors. A beast who is being coaxed towards spiritual awakening. Loyal to certain people, including family, but betrayed at unexpected times.

And there is some simply beautiful scenery. Panoramic views of snow-capped mountains and green fields. Lovely stuff.

In short, a powerful film with action, betrayal and a strong spiritual theme. Recommended.


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