Every year the Chincoteague fire department rounds up the wild ponies of Assateague. island, and then auctions off the colts and yearlings to thin out the herd. A young brother and sister, ...
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Every year the Chincoteague fire department rounds up the wild ponies of Assateague. island, and then auctions off the colts and yearlings to thin out the herd. A young brother and sister, Paul and Maureen Beebe, have set their hearts on owning one particular wild three-year old pony, The Phantom. Only they have to earn the money, the Phantom has to be captured in the roundup (which she never has), and then they have to outbid everyone else for her in the auction. And even the Phantom herself has a surprise for Paul and Maureen: a foal named Misty. Written by
The movie is partially based on a true story. Misty, a 12-hand palomino tobiano and sabino pinto, was born on July 20, 1946 at the Beebe family farm on Chincoteague Island, Virginia. Although Misty was sired and born domestically, her parents -- known as Pied Piper and Phantom -- were wild ponies from nearby Assateague Island. Author Marguerite Henry visited the Beebe farm, and wanted to take Misty back to her home in Illinois, to serve as the model for her next book. Clarence "Grandpa" Beebe agreed to this only after Ms. Henry promised to put his grandchildren, Paul and Maureen, in the book as the main characters. "Misty of Chincoteague" was published in 1947, and was named as a Newberry Honor book. The book became so popular with children that Misty herself was named an honorary member of the American Library Association. Misty lived with Marguerite Henry in Illinois until 1957, when she was sent back to Virginia. She lived on the Beebe farm for the rest of her life, and had three foals: Phantom Wings, Wisp O' Mist, and Stormy -- who also became the subjects of books by Marguerite Henry. Misty died in 1972. Her taxidermized body (and that of her foal, Stormy, who died in 1993) are on display at a museum at the Beebe ranch. See more »
Paul, listen to me. The Phantom's not a horse. The Phantom's a piece of wind and sky. That's why we *call* her "The Phantom."
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I first saw this film around 1967 at a children's matinée, and I remember the young girls in the audience were really getting into it, especially at the line by the grandfather, "The Phantom's a piece of wind and sky." With the advent of DVDs, I sought to find this film, but it took me about three years to find out the title, which I had forgotten, then another month to locate a copy, since it was out of print on video.
I can appreciate more now why the girls in the audience that day loved this film. It's very charming. It has a very Disney/family style, a very solid, down-to-earth plot (none of that impossible modern "Spy Kids" stuff that relies on CGI effects), a lot of focus on animals and nature, a realistic style, subtle humor, cute pieces of dialog, a well-meshed plot, a warm family feeling, and a happy ending. A film like this shows that guns aren't needed to make a plot exciting or engrossing.
Another subtlety that stands out now is that the film is educational, in the same way that Disneyland used to be educational in the early 1960s: endless tidbits of knowledge are imparted via the dialog, such as that a "hand" is equal to four inches, or that a foal should not be fed sugar since that turns the horse into a biter, or that "breaking" a horse is different (and crueler) than "gentling" a horse. It's hard to come away from the film without having learned more about horses, or without having developed more of an appreciation of horses. Also, the locations and history of the annual pony roundup are authentic, so a bit of geographical and historical knowledge is imparted, as well.
The scenery is also very nice, with a lot of sandy beaches, sand dunes, coastal pine forest, and open fields with horses running free. The small town feeling with its carnival and everybody knowing everybody else is also very nice. Other than the old-fashioned clothes and hair styles, this film seems a lot more modern than its 1961 date would suggest, and it still stands up well in this modern era without seeming excessively sweet or having ridiculous humor. There are also some gender equality issues thrown into the plot, which makes it ahead of its time. The grandparent-grandchild relationship might be a bit contrived, as is the subject matter of horses, and the boy performing a heroic deed by saving a horse from drowning, but unless one is looking to be critical, such aspects of the plot don't seem out-of-place.
This is a solid family film that should still be enjoyable for all ages, especially for horse lovers.
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