| Photos (See all 57 | slideshow) |
| Clark Gable | ... | Gay Langland | |
| Marilyn Monroe | ... | Roslyn Taber | |
| Montgomery Clift | ... | Perce Howland | |
| Thelma Ritter | ... | Isabelle Steers | |
| Eli Wallach | ... | Guido | |
| James Barton | ... | Fletcher's Grandfather | |
| Kevin McCarthy | ... | Raymond Taber | |
| Estelle Winwood | ... | Church Lady Collecting Money in Bar | |
| rest of cast listed alphabetically: | |||
| Peggy Barton | ... | Young Bride (uncredited) | |
| Rex Bell | ... | Old Cowboy (uncredited) | |
| Ryall Bowker | ... | Man in Bar (uncredited) | |
| Frank Fanelli Sr. | ... | Gambler at Bar (uncredited) | |
| John Huston | ... | Extra in Blackjack Scene (uncredited) | |
| Bobby LaSalle | ... | Bartender (uncredited) | |
| Philip Mitchell | ... | Charles Steers (uncredited) | |
| Walter Ramage | ... | Old Groom (uncredited) | |
| Ralph Roberts | ... | Ambulance Driver at Rodeo (uncredited) | |
| Dennis Shaw | ... | Fletcher - Young Boy in Bar (uncredited) | |
| J. Lewis Smith | ... | Fresh Cowboy in Bar (uncredited) | |
| Marietta Tree | ... | Susan (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Arthur Miller | (screenplay) | |
Produced by | |||
| Frank E. Taylor | .... | producer | |
Original Music by | |||
| Alex North | (music composed by) | ||
Cinematography by | |||
| Russell Metty | (director of photography) | ||
Film Editing by | |||
| George Tomasini | (film editor) | ||
Art Direction by | |||
| Stephen B. Grimes | (art direction) (as Stephen Grimes) | ||
| Bill Newberry | (art direction) (as William Newberry) | ||
Set Decoration by | |||
| Frank R. McKelvy | (set decoration) (as Frank McKelvy) | ||
Costume Design by | |||
| Jean Louis | (dresses: Marilyn Monroe) | ||
Makeup Department | |||
| Agnes Flanagan | .... | hair stylist | |
| Sydney Guilaroff | .... | hair stylist | |
| Frank La Rue | .... | makeup (as Frank Larue) | |
| Franz Prehoda | .... | makeup (as Frank Prehoda) | |
| Allan Snyder | .... | makeup | |
| Bunny Gardel | .... | body makeup (uncredited) | |
Production Management | |||
| C.O. Erickson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Carl Beringer | .... | assistant director | |
| Tom Shaw | .... | second unit director | |
| John Gaudioso | .... | assistant director (uncredited) | |
Art Department | |||
| Ross C. Burke | .... | property master (uncredited) | |
| Bud Pine | .... | construction coordinator (uncredited) | |
| Robert L. Stephen | .... | painter gang boss (uncredited) | |
Sound Department | |||
| Charles Grenzbach | .... | sound recordist | |
| Philip Mitchell | .... | sound recordist | |
| R.D. Cook | .... | sound recordist (uncredited) | |
| Al Marsh | .... | boom operator (uncredited) | |
Special Effects by | |||
| Cline Jones | .... | special effects (uncredited) | |
Stunts | |||
| Bill Babcock | .... | stunts (uncredited) | |
| John Daheim | .... | stunts (uncredited) | |
| Cole Palen | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| J. Lewis Smith | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Jean Louis | .... | wardrobe: Miss Monroe | |
| Dorothy Jeakins | .... | costumer: Marilyn Monroe (uncredited) | |
| Jesse Munden | .... | costumer (uncredited) | |
| Shirlee Strahm | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Stu Linder | .... | assistant editor (uncredited) | |
| Connie Roese | .... | negative cutter (uncredited) | |
Music Department | |||
| Alex North | .... | conductor | |
| Henry Brant | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Frank Khoury | .... | transportation (uncredited) | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Billy Jones | .... | wrangler | |
| Edward Parone | .... | assistant to the producer | |
| Friedrich von Ledebur | .... | horse master | |
| Bob Davenport | .... | wrangler (uncredited) | |
| Bruce Gailbraith | .... | wrangler (uncredited) | |
| James W. Gavin | .... | helicopter pilot (uncredited) | |
| Cindy James | .... | dog trainer (uncredited) | |
| Eugene Logan | .... | production assistant (uncredited) | |
| Evelyn Moriarty | .... | stand-in: Marilyn Monroe (uncredited) | |
| George Nelson | .... | title designer: main titles (uncredited) | |
| Corky Randall | .... | wrangler (uncredited) | |
| Frank Remsden | .... | script supervisor (uncredited) | |
| Jimmy Sherwood | .... | wrangler (uncredited) | |
| Barlow Simpson | .... | wrangler (uncredited) | |
| Lew Smith | .... | dialogue coach (uncredited) | |
| Paula Strasberg | .... | dialogue coach: Ms. Monroe (uncredited) | |
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| Giant | Brokeback Mountain | Junior Bonner | A Face in the Crowd | The Best Years of Our Lives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I still remember when it was reported Clark Gable had had a heart attack shortly after completing The Misfits. It happened just before Election Day because there was a news item and it's mentioned in at least one Gable biography that he voted by absentee ballot in 1960. Shortly after that he died and the world was waiting the birth of his son and his last posthumous film.
No doubt about it Gable does look all of his 59 years in the Misfits. But he's still exudes that gruff animal magnetism that leaves you no doubt as to why Marilyn Monroe was finding him so sexy. It's an interesting and challenging role for Gable, his Gay Langland is a bitter multi-layered character, whose family has deserted him and his way of life is vanishing. All three of the men, Gable, Monty Clift, and Eli Wallach have a deathly fear of working for wages expressed often during The Misfits.
For Monty Clift it's more than fear. He's also bitter about being cheated out of his father's ranch by a stepfather who offers him wages. So he's taken to the rodeo circuit, but he's also past his prime in that dangerous sport.
Eli Wallach starts out as what we think is a deep sensitive portrayal, but as we go along we find there's less than meets the eye. He wants Marilyn Monroe real bad (who wouldn't) and it's clear he's just using some of his best lines in his quest for her.
Marilyn as eastern divorcée to be serves as the group's conscience when they start going after mustangs for dog food manufacturers. Quite illegally of course, but that's part of the challenge for this group. Lots of shots of Marilyn's bulges both front and rear are another good reason to see this film.
Towards the end the wild mustangs on the Nevada desert take over the film from the human actors. They are a kind of doppleganger for this group, they are also misfits with no place in the modern world for them except as canned dog food.
Those roping stunts and Clark Gable being dragged by a horse probably put a strain on his cardiovascular system. It's been written that Marilyn was the cause of his demise. Pure and utter nonsense. I can't believe John Huston the director let him do those scenes. Why wasn't a stunt double used? Marilyn Monroe was one royal pain to work with, what with all of her issues, but that surely had nothing to do with what happened to Gable.
The Misfits still holds up well after over 40 years. All of the cast can be proud of their work in that film.