When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Roslyn divorces Ray in Reno and then meets widower Guido. He likes her but introduces her to cowboy Gay, and those two fall in love. When she learns that Gay, Guido and Perce are going to turn wild horses ("misfits") into dog food, she protests. Written by
Ed Stephan <email@example.com>
Director John Huston originally wanted Robert Mitchum to play "Gay Langland" but Mitchum didn't like the script and turned it down. Huston and writer Arthur Miller rewrote the script, but by the time Mitchum got to see the rewrite he had committed to another film. The role was instead offered to Clark Gable, who took it. See more »
About 20-25 minutes in, Isabelle stands up to go to the kitchen. As she enters the kitchen, a hand pops up from behind the refrigerator right before the shot cuts. See more »
Young man, do you have the time? I got six clocks in the house and none of them work.
Twenty after nine.
After? It's twenty after, dear. Dahlin'. Five minutes.
What about you?
I'm all set, I just tyin' my sling. The lawyer said nine thirty sharp, dahlin'.
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Opening credits are shown on and around puzzle pieces. See more »
To view "The Misfits" in 2006 turns out to be quite a chilling experience. Prophetically in its "doomness" - personal doomness that is. Arthur Miller writes, unwittingly, his wife's swan song and she sings it with a combination of uppers and downers. Pay attention to Eli Wallach describing Marilyn to Clark Gable. Was that Miller himself being particularly misogynistic or what hell was it? She talks about herself, they all talk about her. She is a hurricane right in the middle of a human storm. Montgomery Clift seems to be talking about himself too. The whole bloody thing is really close to the knuckle. Arid, depressing, slow and yet, riveting, funny, mesmerizing. "The Misfits" should be seen for a variety of reasons but to see Gable and Monroe sharing a black and white screen a short time before their deaths is an experience on itself.
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