When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Roslyn Taber, the type of woman who turns heads easily, recently came to Reno to get a quickie divorce, she having no idea what to do with her life after that. She cannot tolerate seeing animal suffering, let alone human suffering. Coinciding with getting the divorce, Roslyn meets friends Gay Langland and Guido, a divorced aging grizzled cowboy and a widowed mechanic respectively. Although Guido makes no bones about wanting to get to know Roslyn in the biblical sense and although he "saw her first", Roslyn begins a relationship with Gay, despite Roslyn's friend Izzy Steers, who originally came to Reno years ago to get her own divorce and never left, warning her about cowboys as being unreliable, and despite Roslyn initially not being interested in Gay "in that way". Gay has grown children who he rarely sees and wishes he was there for more than was the case. Gay and Roslyn move into the under construction farmhouse owned by Guido, which he was building for his wife before she died. ... Written by
When Gay is holding the flashlight for Guido as he works on the plane, the flashlight is clearly off. Yet Gay keeps adjusting it to light the part of the plane engine Guido is working on. See more »
Young man, do you have the time? I got six clocks in the house and none of them work.
Twenty after nine.
After? It's twenty after, dear. Dahlin'. Five minutes.
What about you?
I'm all set, I just tyin' my sling. The lawyer said nine thirty sharp, dahlin'.
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Opening credits are shown on and around puzzle pieces. See more »
This is a one of a kind film experience which has taken on even more depth with our hindsight into the lives of its creators. Written by Monroe's then husband, Arthur Miller, and produced as their marriage was ending, it provides Monroe with the role of her life. There are many great moments in the film, the most famous being her tirade against the cruelty and dishonesty of the men in her life. You will never forget her cries of "Murderers!" , even more horrifying now, given the suspicions surrounding her death. But for me the most unforgettable moment takes place in the cab of the truck when Eli Wallach's character offers to save the lives of some horses if she will give up the man she is with and live with him. The look on her face changes from hope to horror as she realizes he's bartering the horses' lives for hers: "You have to GET something in order to act human?!" she spits out at him. It's a great script, cast perfectly, and speaks as sadly and as eloquently to us now as it did forty years ago.
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