The world in the late 19th century: A scientist and his team are held as "guests" of Robur on his airship, that he want to use to ensure peace on earth. Peace with all, even if he has to ... See full summary »
Gilbert de Quincey is an early 19th-century adventurer involved with helping runaway slave girls and victims of a tong war in San Francisco. Garbed in black from head to toe, de Quincey ... See full summary »
In Elizabethan England, a wicked lord massacres nearly all the members of a coven of witches, earning the enmity of their leader, Oona. Oona calls up a magical servant, a "banshee", to ... See full summary »
Simon Cordier is a well-respected magistrate who visits a condemned prisoner, Louis Girot, just before the man's execution. Girot again pleads his innocence insisting that he has been taken... See full summary »
Reginald Le Borg
The world in the late 19th century: A scientist and his team are held as "guests" of Robur on his airship, that he want to use to ensure peace on earth. Peace with all, even if he has to bombard military targets all over the world. Can the scientist stop him ? Written by
Stephan Eichenberg <email@example.com>
Although the end titles credit the song "Master of the World" with music by Les Baxter, lyrics by Lenny Adelson and sung by Darryl Stevens, there is actually no song in the released film. As a matter of interest, Intrada for its 2009 soundtrack CD managed to trace the missing song, which turns out to be a haunting, alternate version of the end title. After the song was dropped, it was still credited on screen, but the chosen end title has just orchestra and choir. The lost lyrics go as follows: "Any man is Master of the World / If he has wandered in the world / And found his love / And of all the secrets of the earth / He has the only treasure worth / Dreaming of / If he rules just one heart a man is a king / It seems as though his soul has taken wing / And like the stars that fly on high above the earth / A man is Master of the World / When he is loved!" See more »
When the sailor accosts Charles Bronson and his party in their stateroom, his pistol switches positions between shots. In the first shot he is holding the pistol in his right hand and resting it on his left hand, leveled at his waist and in the next shot he is holding the pistol only with the right hand in a raised position, at about chest height. It switches back and forth twice. His position in the doorway also changes between shots. See more »
I admire you, Mr. Strock. You do what you feel you must do without caring whether you alienate anyone or whether they understand you or not. That is my way. That is the only way for a man of dedication. I know that you would like to stop me, sir. For that reason, my impulse is to have you destroyed. My desire on the other hand is to have you join me.
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Unusually for an early 1960s American film, the opening credits do not list the director, writers, or major technical staff; only the top-billed actors are credited, followed by the title, after which the film begins. See more »
Not the best of Vincent Price on American International
Being a huge Vincent Price fan, I must said that "Master of the World" is not on my top 5 movies of his American International period. The film lacks real excitement, the low budget is clear, and the combination of two different stories by Jules Verne didn't work properly (the comedy touches are completely out of place, and are NOT part of the original novels) But once again, the man is in complete control of his character and delivers a solid performance. Is also good to see Henry Hull (the first werewolf of Hollywood) and a young but convincing Charles Bronson. No matter what, the film deserves a DVD rendition, as many other Vincent Price films like "Shock", "Diary of a Madman" and "The Mad Magician", to name a few.
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