| Paul Stevens | ... | Doctor Allan Barnes | |
| Claudette Nevins | ... | Pam Albright | |
| Bill Walker | ... | Lieutenant Martin | |
| Anne Collings | ... | Miss Goodrich | |
| Martin Lavut | ... | Michael Radin | |
| Leo Leyden | ... | Doctor Soames | |
| Norman Ettlinger | ... | Professor Quincey | |
| Bill Brydon | ... | Anderson (as Bill Bryden) | |
| Jim Moran | ... | Jim Moran | |
| Eleanor Beecroft | ... | Mrs. Kelly | |
| Ray Lawlor | ... | Lab technician | |
| Rudi Linschoten | ... | Mime in nightmare | |
| Steven Appleby | ... | Museum guide | |
| Alfie Scopp | |||
| Paul Elsom | |||
| rest of cast listed alphabetically: | |||
| Harry Blackstone | ... | Himself (in introduction added to video version) (uncredited) | |
| Nancy Island | ... | Girl Who Is Killed (uncredited) | |
| Paul Nevens | ... | Demon of the Mask (uncredited) | |
Directed by | |||
| Julian Roffman | |||
Writing credits | ||
| Frank Taubes | (script by) & | |
| Sandy Haver | (script by) & | |
| Franklin Delessert | (script by) | |
| Slavko Vorkapich | (dream sequences) | |
Produced by | |||
| Sandy Haver | .... | associate producer | |
| Julian Roffman | .... | producer | |
| Frank Taubes | .... | associate producer | |
| Nat Taylor | .... | producer | |
| Yvonne Taylor | .... | associate producer | |
Original Music by | |||
| Louis Applebaum | |||
Cinematography by | |||
| Herbert S. Alpert | |||
Film Editing by | |||
| Stephen Timar | |||
Art Direction by | |||
| David R. Ballou | |||
Production Management | |||
| William S. Owens | .... | production manager | |
Art Department | |||
| Hugo Wuethrich | .... | associate art director | |
Sound Department | |||
| Willard W. Goodman | .... | sound | |
| Dick Vorisek | .... | sound re-recordist | |
Visual Effects by | |||
| James B. Gordon | .... | special photographic effects | |
Music Department | |||
| Myron Schaeffer | .... | composer: electronic music | |
| Louis Applebaum | .... | conductor (uncredited) | |
Other crew | |||
| Don Gillies | .... | choreographer | |
| Jan Henry | .... | dialogue director | |
| Jean S. Lenauer | .... | production consultant | |
| Charles W. Smith | .... | stereoscopic control | |
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| 1408 | Dead of Night | The Reaping | Halloween: The Curse of Michael Myers | Rosemary's Baby |
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IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Canada section |
In the normal scheme of things I would have given this bit of schlock-horror one star--and that would have been on a good day. But THE MASK has two things going it for it: it is 3D available to the homemarket and it generally has a cheap purchase price. What more can you ask? A psychiatrist (Allan Barnes) has a homicidal archaeologist patient who swears up and down that he was just fine until he put on an ancient Indian mask the local museum dug up--and now, under the mask's influence, he has fearful fantasies, nasty nightmares, and (dare I say it?) the urge to kill. Our intrepid analyst doesn't believe a word of it, so the archaeologist goes home and kills himself... but not before mailing the mask off to the doctor who failed him. Does the doctor put on the mask? Since we've only gotten about fifteen minutes into the movie he darn well better.
Each time the doctor puts on the mask he has the same fearsome fantasies and nasty nightmares as his deceased patient--only now we see them, and THEY ARE IN 3D! Now, in its homemarket edition, THE MASK comes with all sorts of warnings that everything from visual impairments to bad color settings on your screen will affect the effect, so you're pretty much on your own here. For myself, I found it worked pretty well as long as you were watching the movie in a pitch black room. But the fact that the movie is sometimes in 2D and sometimes in 3D has a peculiar result: its fun to put the glasses on and off, but it takes a few minutes for you to begin to read the film as 3D, and then when you taken the glasses off to see the 2D part you feel slightly askew because you're still sorta seeing red out of one eye and blue out of the other.
Several people have commented that they found parts of the film pretty creepy and the 3D sequences really imaginative. I myself thought the whole thing was about as frightening as a box of dry cereal and the 3D bits--they were fun enough, but let's face it, this ain't no CREATURE FROM THE BLACK LAGOON. Still, the ten-to-fourteen year old crowd will get a kick out of it, and it's all just silly enough for grown ups to find mildly amusing too. So PUT THE MASK ON NOW and have some foolish fun!
Gary F. Taylor, aka GFT, Amazon Reviewer