A young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and possibly to murder. Before committing suicide, he mails the mask to his psychiatrist, Dr. ...
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Robert Allen Schnitzer
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A young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and possibly to murder. Before committing suicide, he mails the mask to his psychiatrist, Dr. Barnes, who is soon plunged into the nightmare world of the mask. Written by
Jeff Hole <email@example.com>
According to a piece on the film in "Filmfax" (issue #25), Slavko Vorkapich's ideas for the 3-D sequences were ultimately too expensive to be used, and director Julian Roffman did much of the conceptual work himself. Vorkapich's name remained in the credits because of a "pay or play" option in his contract. See more »
When Dr. Barnes runs past the museum display cases, a crew member's reflection is visible in the glass. See more »
This early 60's horror film is one of the slowest moving ones ever. The film begins with an awesome title sequence...some flickering abstract lines, mixed with some deliciously eerie music. Following that (and before the story actually starts), we have one of the most dreadfully boring narrators ever in the history of film, explaining to us what a mask is, and that when the characters in the film put on the mask of the title, we are to do the same with our 3-D specs.
The story itself is a bore, painfully written and with some ludicrous, laughable acting (my favorite was the grumpy landlady). The 3-D sequences are something else entirely from the rest of this film. You'd think they came from a different movie. They are moody, eerie, well thought out and put together. Some of the in-your-face effects still don't work well (even in a theatre) but they are hokey good fun. However, once the non-stereo scenes come back on...they are redundant and increasingly annoying. Still, this is a cult classic by any standards, and you can't help but love it. Understandably, it has quite a following.
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