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Ukrainian Archbishop Kiril Lakota is set free after two decades as a political prisoner in Siberia. He is brought to Rome by Fr. David Telemond, a troubled young priest who befriends him. ... See full summary »
Iconoclast Lenny Bruce appears at San Francisco's Basin Street West in what was his next-to-last live appearance. His act that night consisted of reading allegations and transcripts from ... See full summary »
Steve Howard, a British sales executive living in Manchester, England, begins an affair with a young hitchhiker, Elle Patterson, to emotionally get away from his marriage to his wife ... See full summary »
The story of a murder trial where a Mexican boy is accused of the death of a Caucasian girl. The two-faced attorney (Arthur Kennedy) who takes the boy's case is only interested in defending... See full summary »
This is the story of a 33 year old man, Jim Fuller, released from prison after serving a three year term for intent to commit child molestation. Fuller is assisted by the prison psychiatrist in obtaining a position. He does well in this position and falls in love with the secretary of the owner of the company. A child is molested and beaten in the town where he now lives and the police pick him up for questioning. He has an alibi and is released, but a reporter who covered his former trial recognizes him. The reporter begins to follow him and reports that Fuller spent time alone with the daughter of his girl friend. Written by
Dennis Beaman <firstname.lastname@example.org>
This is such a great, intelligent, courageous film, about so much that's right and wrong in our culture - good parenting, disastrous parenting, thoughtless media, unthinking prejudgments, psychology grounded in reality not dogma, fear, ignorance, innocence, love, hate, and the reach for deep inner joy and redemption. This is besides the great acting on the part of everyone involved, and the great direction, script, and cinematography. The film is not what the subject matter might lead someone to believe. I guess it's not better known because it is in part such an indictment of our anxieties, unthinking cruelty, and self-righteous morality - without condoning in the least the guilt at the heart of the central tragedy. It should and does make viewers uneasy - not because we're all repressed criminals at heart, but because we so often, as individuals and as a culture, refuse to look deeper than appearances, settling for inanities and superficial distractions, ignoring the profound possibilities for the growth of nobility we're all capable of, no matter what we've done. It may seem unrealistic to some, considering the kind of crime it revolves around and the nature of many if not most such criminals, but that's just the point - so often, without bothering to really investigate, we think we know enough to label and condemn.
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