Man-Trap (1961)

Director:

Edmond O'Brien

Writers:

John D. MacDonald (story) and
Ed Waters (writer)

Release Date:

20 September 1961 (USA)

Genre:

Drama

Tagline:

She lived on the edge of violence!

Plot:

During the Korean War, Matt saves the life of his buddy, Vince, who promises that someday he'll repay Matt by cutting him in on a million dollars...

Plot Keywords:

Robbery | Punctuation In Title | Hyphen In Title | Beautiful Woman

Cast

Jeffrey Hunter	...	Matt Jameson
David Janssen	...	Vince Biskay
Stella Stevens	...	Nina Jameson
Elaine Devry	...	Liz Addams
Arthur Batanides	...	Cortez
Perry Lopez	...	Puerco
Bernard Fein	...	Fat man
Virginia Gregg	...	Ruth
Michael Vandever	...	Bobby Joe
Hugh Sanders	...	E. J. Malden
Tol Avery	...	Lt. Heisen

Also Known As:

Deadlock (USA) (working title)
Restless (USA) (working title)

Runtime:

93 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Finland:K-16 | Sweden:15 | USA:Unrated

Filming Locations:

Airport, San Francisco, California, USA

Company:

Tiger Productions

loner (Jeff Hunter) is drawn into a dark, dangerous game of intrigue.

There are a few distinctions to this film, one being that it is the only movie ever to have been directed by Edmond O'Brien, the 1940s leading man who, a decade later, put on a great deal of weight and turned into a top character actor, even winning a Best Supporting Actor Oscar. Once was enough as a director, though, for this crime thriller appears to be an imitation of the film noirs that O'Brien starred in (most notably, D.O.A.) earlier in his career, and that genre had all but disappeared from the screen by the early 1960s, only to be revived again toward the end of the century and at the beginning of the next, via neo-noir - which even included a disastrous remake of DOA with Dennis Quaid. But I digress . . . one of the other distinctions is the re-teaming of Jeffrey Hunter and David Janssen, who had worked together very well a year and a half earlier in a far better and more ambitious film, Hell to Eternity, a big scale WWII action flick. In between, Hunter had played the part of Jesus in King of Kings and, after that, he seemed desperate to do anything to try and distance himself from the image of purity he incarnated there. That included second rate 'programmers' (as studio B movies used to be called) in which, at the very least, he could remind audiences of the differing roles he was capable of playing. Hunter blew his last big chance for success, incidentally, when a few years later he listened to the lady in his life when she told him NOT to do Star Trek! Anyway, the third reason to take a look at this flick (don't go out of your way, mind you) is to catch Stella Stevens displaying her range of talents and reminding us that, in addition to a ditzy-glitzy blonde in comedy roles, she could do a femme fatale just fine. She may have third billing behind the boys, but this is her show all the way, and whenever she's on screen, sparks fly - as they do nowhere else in this minor movie.