| Jean-Paul Belmondo | ... | Léon Morin | |
| Emmanuelle Riva | ... | Barny | |
| Irène Tunc | ... | Christine Sangredin | |
| Nicole Mirel | ... | Sabine Levy | |
| Gisèle Grimm | ... | Lucienne | |
| Marco Behar | ... | Edelman | |
| Monique Bertho | ... | Marion | |
| Marc Eyraud | |||
| Nina Grégoire | |||
| Monique Hennessy | ... | Arlette | |
| Edith Loria | |||
| Micheline Schererre | |||
| Renee Liques | |||
| Simone Vannier | |||
| Lucienne Marchand | |||
| Nelly Pitorre | |||
| Ernest Varial | |||
| Chantal Gozzi | |||
| Cedric Grant | ... | American soldier | |
| George Lambert | ... | American soldier | |
| Marielle Gozzi | ... | France (older) | |
| Patricia Gozzi | ... | France | |
| Gérard Buhr | ... | Gunther | |
| Howard Vernon | ... | The colonel | |
| rest of cast listed alphabetically: | |||
| Claude Achard | |||
| André Badin | |||
| Madeleine Ganne | |||
| Adeline Aucoc | ... | Femme (uncredited) | |
| Louis Saintève | ... | Un homme (uncredited) | |
| Volker Schlöndorff | ... | Un homme (uncredited) | |
Directed by | |||
| Jean-Pierre Melville | |||
Writing credits(in alphabetical order) | ||
| Béatrix Beck | novel | |
| Jean-Pierre Melville | screenplay and dialogue | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Martial Solal | |||
Cinematography by | |||
| Henri Decaë | |||
Film Editing by | |||
| Jacqueline Meppiel | |||
| Nadine Trintignant | |||
| Marie-Josèphe Yoyotte | |||
Production Design by | |||
| Daniel Guéret | |||
Makeup Department | |||
| Christine Fornelli | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Jacqueline Parey | .... | assistant director | |
| Volker Schlöndorff | .... | assistant director | |
Art Department | |||
| Robert Christidès | .... | set designer | |
Sound Department | |||
| Jacques Maumont | .... | sound mixer | |
| Guy Villette | .... | sound | |
Camera and Electrical Department | |||
| Jean Rabier | .... | camera operator | |
Music Department | |||
| Albert Raisner | .... | musician: harmonica | |
|
|
|
|
|
| La Grande Illusion | Au Revoir Les Enfants | The Truce | Forbidden Games | The Name of the Rose |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
For years now,the over all theme of religion in cinema has managed to touch more than it's share of raw nerves,both in the U.S.A.,as well as Europe (does anyone remember the brou-ha-ha that was raised over Jean Luc Goddard's 'Hail Mary',back in the mid 1980's,or 'The Last Temptation Of Christ',in 1988,or even 'The Life Of Brian'in 1979?). Long before all of that,there was a film that I'm sure raised some folk's eyebrows in 1961. That film was 'Leon Morin,Priest'. The story concerns a newly widowed young woman known as Barny,played by Emmanuel Riva,who is a self avowed atheist,who is seeking advice from a local priest,named Leon Morin,played by (then)France's matinée idol,Jean Paul Belmando ('Breathless',and way too many to mention here). The time is world war 2,and the small village Barny lives in is being invaded by Germans,Italians & later,American soldiers. What starts out as a series of conversations on spiritual matters,turns to unrequited love,which turns more serious as the story unfolds. Jean Pierre Melville (who was generally more known for his film noir crime epics, such as 'Le Cercle Rouge','Le Samourai','Army Of Shadows',etc.)directs & writes the story & screenplay,based on the novel by Beatrix Beck, in a film that tests one woman's temptation for the heart of another man. The rest of the cast (unknown by yours truly)turn in fine performances. The crisp,black & white cinematography by Henri Decae makes real good use of light & shadow (especially if the print quality is good to excellent),and the use of distance between the two characters,which eventually merge closer as the story goes on. Not exactly top shelf Melville,but none the less,still worth a look. Most European prints of this film originally ran 130 minutes,but unfortunately,the North American distributed print clocks in at 117 minutes (including the newly printed re-issue edition). Spoken mostly in French,with a wee bit of German,with English subtitles. Not rated by the MPAA,this film contains some minor adult content,and a rude word,or two.