| Ganjirô Nakamura | ... | Kohayagawa Banpei | |
| Setsuko Hara | ... | Akiko | |
| Yôko Tsukasa | ... | Noriko, second daughter | |
| Michiyo Aratama | ... | Fumiko, eldest daughter | |
| Keiju Kobayashi | ... | Hisao, Fumiko's husband | |
| Masahiko Shimazu | ... | Masao, thier son | |
| Hisaya Morishige | ... | Isomura Eiichirou | |
| Chieko Naniwa | ... | Sasaki Tsune | |
| Reiko Dan | ... | Yuriko, her daughter | |
| Haruko Sugimura | ... | Katou Shige | |
| Daisuke Katô | ... | Kitagawa Yanosuke | |
| Haruko Tôgô | ... | Kitagawa Teruko | |
| Yumi Shirakawa | ... | Nakanishi Takako | |
| Akira Takarada | ... | Teramoto Tadashi | |
| Kyû Sazanka | ... | Yamaguchi, Chief clerk | |
| Yû Fujiki | ... | Maruyama Rokutarou | |
| Chishû Ryû | ... | Farmer | |
| Tatsuo Endô | ... | Banpei's brother | |
| Yûko Mochizuki | ... | Farmer's wife | |
| Asao Uchida | ... | Isha (doctor) |
Directed by | |||
| Yasujirô Ozu | |||
Writing credits | ||
| Kôgo Noda | (screenplay) & | |
| Yasujirô Ozu | (screenplay) | |
Produced by | |||
| Sanezumi Fujimoto | .... | producer | |
| Masakatsu Kaneko | .... | producer | |
| Tadahiro Teramoto | .... | producer | |
Original Music by | |||
| Toshirô Mayuzumi | |||
Cinematography by | |||
| Asakazu Nakai | |||
Film Editing by | |||
| Kôichi Iwashita | |||
Production Design by | |||
| Tomoo Shimogawara | |||
Second Unit Director or Assistant Director | |||
| Shigekichi Takemae | .... | assistant director | |
Sound Department | |||
| Koichi Nakagawa | .... | sound | |
| Hisashi Shimonaga | .... | sound mixer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
This film is a little bit disappointing. Ozu did not portrait human emotions as intensive as in "Tokyo Monogatari". Neither has the film the wit and humour of "Ohayo". He did not succeed to characterize the person as good as in other films. The setting of the action in Kyoto instead of Tokyo could have provided the possibility to represent the contrast the conflict between old Japan and "New Japan" in a more distinct way. But unfortunately Ozu produces some cliches. But after all what is a "bad" movie by Ozu in comparison to all the other stuff.