A TV reporter is murdered when he is eavesdropping on a secret Finnish-Soviet conference. The National Broadcasting Corporation enlists the help of police lieutenant Palmu, who comes out of... See full summary »
Uuno is called to serve the rest of his military service. His father-in-law, Director Tuura has been appointed as a defence minister but he hasn't got any interest to free Uuno from his ... See full summary »
about two guy at work that are the stock in store, then Antero goes to bed, and walk the damage and Karita becomes pregnant and tells the issue and Antero Antero wants to do abort.Ja Karita... See full summary »
It is the summer of 1941. An eastern-Finnish machine gun company receives an order to turn in their surplus equipment. The company is transferred to the front lines. The next morning the ... See full summary »
This film is the second silver screen adaption of the Finnish war book by Väinö Linna with the same name as the film. The story is based on Linna's experiences as an infantry man in the ... See full summary »
The war between Luxembourg and Finland sets the outline to a set of comedic stories about a rally team, gay couple's fishing trip, two hoodlums' last school days in the spring and a haunted hotel among others.
Two outlaws, The Lonely Rider and the Indian Tonto, have caught (at least they think they have) Speedy Gonzales, a ruthless gunfighter from the town of Njietponimaistadi. They start to ... See full summary »
The prequel, Komisario Palmun erehdys (1960), was a huge success, but its producer T.J. Särkkä forgot to reserve the filming rights of Mika Waltari's other Palmu-novel "Kuka murhasi rouva Skrofin". Mauno Mäkelä bought the rights and Kaasua, komisario Palmu (1961) was filmed under Fennada-Filmi. See more »
Kaasua, Komisario Palmu (1962) is based loosely on the short novel written by the critically acclaimed Finnish author, Mika Waltari. This black and white thriller, shot on location in Helsinki, Finland, still continues to stand even today as one of the most celebrated and memorable landmarks in the short and relatively unnoticeable history of Finnish cinematography.
The canvas on which this movie is painted is a familiar one. A wealthy old religious patron raises a disobedient and mentally disturbed niece - until she all of a sudden drops dead as the result of a murder made to look like an accident. A grouchy, elderly superintendent (Joel Rinne) and his young and overly enthusiastic assistant are called in to investigate. And there certainly is a lot to look into, since the deceased had few friends, but many enemies. Almost everyone seems to have not only a motive but also something to hide; the question is, who acted on their motive and took matters into their own hands?
The typical modern murder mystery emphasizes the victim's unjust fate, and in the end pursues to punish the perpetrator. This thriller on the other hand tends to play with your mind. Not only does it drop clues here and there, some more noticeable than others, but the actors put on such a convincing and exciting show, that the corpse at the morgue is quickly forgotten. If anyone ends up gaining the viewer's sympathy, it is the murderer, or the long line of possible suspects, and not so much the actual victim. And once it is all said and done, the question is, who in fact was the real victim?
If you have the opportunity to see this old thriller, take it. You'll be glad you did.
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