IMDb > Jules and Jim (1962)
Jules et Jim
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Jules and Jim (1962) More at IMDbPro »Jules et Jim (original title)

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Overview

User Rating:
7.9/10   22,732 votes »
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Director:
Writers:
Henri-Pierre Roché (novel)
François Truffaut (adaptation) ...
(more)
Contact:
View company contact information for Jules and Jim on IMDbPro.
Release Date:
23 January 1962 (France) See more »
Genre:
Plot:
Decades of a love triangle concerning two friends and an impulsive woman. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 2 BAFTA Film Awards. Another 3 wins See more »
NewsDesk:
(135 articles)
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 (From DearCinema.com. 19 September 2014, 12:52 AM, PDT)

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 (From ioncinema. 4 September 2014, 8:00 AM, PDT)

User Reviews:
Jules et Jim embodies the beauty of French cinema See more (109 total) »

Cast

  (in credits order) (verified as complete)

Jeanne Moreau ... Catherine

Oskar Werner ... Jules (as Oscar Werner)
Henri Serre ... Jim
Vanna Urbino ... Gilberte
Serge Rezvani ... Albert (as Bassiak)
Anny Nelsen ... Lucie
Sabine Haudepin ... Sabine, la petite
Marie Dubois ... Thérèse

Michel Subor ... Récitant / Narrator (voice)
rest of cast listed alphabetically:
Danielle Bassiak ... Albert's companion (uncredited)
Elen Bober ... Mathilde (uncredited)
Pierre Fabre ... Drunkard in cafe (uncredited)
Dominique Lacarrière ... One of the women (uncredited)
Bernard Largemain ... Merlin (uncredited)
Kate Noelle ... Birgitta (uncredited)
Jean-Louis Richard ... Customer in cafe (uncredited)
Michel Varesano ... Customer in cafe (uncredited)
Christiane Wagner ... Helga (uncredited)

Directed by
François Truffaut 
 
Writing credits
Henri-Pierre Roché (novel)

François Truffaut (adaptation and dialogue) &
Jean Gruault (adaptation and dialogue)

Produced by
Marcel Berbert .... executive producer (uncredited)
François Truffaut .... producer (uncredited)
 
Original Music by
Georges Delerue 
 
Cinematography by
Raoul Coutard 
 
Film Editing by
Claudine Bouché 
 
Production Design by
Fred Capel (uncredited)
 
Costume Design by
Fred Capel (uncredited)
 
Makeup Department
Simone Knapp .... key hair stylist (uncredited)
Simone Knapp .... key makeup artist (uncredited)
 
Production Management
Maurice Urbain .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Robert Bober .... assistant director (uncredited)
Florence Malraux .... assistant director (uncredited)
Georges Pellegrin .... assistant director (uncredited)
 
Camera and Electrical Department
Claude Beausoleil .... camera operator (uncredited)
Raymond Cauchetier .... still photographer (uncredited)
Fernand Coquet .... electrician (uncredited)
 
Other crew
Suzanne Schiffman .... script supervisor (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Jules et Jim" - France (original title)
See more »
Runtime:
105 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:Atp | Australia:M | Australia:PG (DVD rating) | Finland:K-16 | France:U | Hong Kong:IIA | Portugal:M/16 (DVD re-rating) | Portugal:17 (original rating) | Portugal:M/12 (re-rating) (1975) | Singapore:PG | South Korea:15 | Sweden:15 | Sweden:7 (re-release: 2003) | UK:PG | USA:Not Rated | West Germany:12
Filming Locations:

Did You Know?

Trivia:
Provided the band Jules et Jim with their name.See more »
Goofs:
Continuity: When Catherine lights the letters on fire, they are at first away from her dress, but in the next shot they are burning on top of her dress.See more »
Quotes:
Jim:We played with life and lost.See more »
Movie Connections:
Referenced in Pulp Fiction (1994)See more »
Soundtrack:
Le TourbillonSee more »

FAQ

This FAQ is empty. Add the first question.
52 out of 71 people found the following review useful.
Jules et Jim embodies the beauty of French cinema, 14 October 2000
Author: nicholas carlton (nmoc@globalnet.co.uk) from London, England



The French have a remarkable tendency of creating free-flowing, poetic movies that transport this particular art form into subtle, poignant flights of fancy and nowhere is this more evident than in Jules et Jim, which embodies the beauty of French cinema.

I believe that Truffaut is the most poetic filmmaker in cinematic history. Jules et Jim is his finest moment and, in the ever fluctuating relationships between the Oskar Werner, Henri Serre and Jeanne Moreau characters, we are allowed to be taken along on a refreshing, beatific ride through the passionate simplicity of love and friendship.

The leisurely philosophical musings of the two men in Jules et Jim are counterbalanced by Moreau's bright, airy amorality. She brings about a radicalism and sense of unpredictability in the movie that is nonetheless charming and utterly innocent and benign. Moreau's instinctive will makes her out to be a selfish attention-seeker but without that this movie would not be so surprising and liberating. Truffaut's does not stick to a rigid narrative form, like many '50s and '60s French New Wave directors, and he allows the stream of consciousness dialogue and the ever-changing fortunes of Moreau's erratic relationships with the men to dictate the structure. Jules et Jim has a certain clarity of vision.

French love stories are often based upon dialogue that is rife with throwaway witticisms, perceptive trivial observations, and explosive utterances of love or despair, and Jules et Jim is no different. It can drift along tranquilly until a sudden unexpected change of mood occurs and everything is turned on its head. Moreau's leaping into the river after a civilised night out at the theatre is a delightfully liberating moment, utterly pointless yet still gleefully uninhibited. My finest memory is the heavenly ditty by Moreau which sums up both her and the movie's personality and atmosphere. So simple, so sublime, and always tugging away in the most sumptuous manner at the heartstrings. I don't think I have ever got that tune out of my head.

If you want to experience the sheer majesty of cinema, Jules et Jim just has to be seen. Not only is it bright and breezy but it has tragic moments of pathos as well. There is a surprise at every turn, almost always caused by the Moreau character, and such is the freedom of her spirit and the freedom of the movie's spirit, you can forgive her every action and fickle about-turns. There is no sense of permanence with her. Jules et Jim only confirms my belief that the French make cinema's greatest romances. Utterly natural, hardly ever contrived, and so cool and graceful.

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Not as good as I expected - agree? hoistmypatard
was she a borderline ? phreakv6-1
Jules and Jim or 400 blows? take_exit3
My thoughts after a first viewing FlatSixMan
Influence in modern films? Nikaroo
way overrated...actually kinda boring... theshizznit-1
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