Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
In Paris, before WWI, two friends, Jules (Austrian) and Jim (French) fall in love with the same woman, Catherine. But Catherine loves and marries Jules. After the war, when they meet again in Germany, Catherine starts to love Jim... This is the story of three people in love, a love which does not affect their friendship, and about how their relationship evolves with the years. Written by
Henri-Pierre Roché's original novel was based on his own experiences as a young man. The original Catherine was still alive when the film was released and even attended the premiere incognito. See more »
When Jules, Jim, and Albert are sitting on the grass sharing stories about the war, the order of the three characters repeatedly changes between shots. Note that this is actually a goof on the Criterion Region 1 disc, and the Tartan Region 2 DVD, in which the film is reversed left/right. It does not occur in other DVD releases of this film, including the Fox/Lorber Region 1 release. See more »
Are you hurt? Then I'll stop being hurt. We mustn't ever both suffer at once.
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Truffaut's Classic Relationship Triangle as Idiosyncratic, Disconcerting and Mesmerizing as Ever
The enduring legacy around François Truffaut's emotionally turbulent 1962 film depends primarily on how compatible the three actors are in inhabiting the triangle at the core of the story adapted from Henri-Pierre Roché semi-autobiographical novel. And in fact, Oskar Werner, Henri Serre and especially Jeanne Moreau provide superbly etched characterizations in one of the defining works of the French New Wave. Fortunately, the two-disc Criterion Collection DVD set provides an appropriately rich package for this classic, although the print transfer is frustratingly variable at times.
The story focuses on the friendship between two writers, an Austrian named Jules and a Frenchman named Jim, kindred spirits who enjoy a decadent lifestyle in pre-WWI Paris. Inspired by a statue of a woman's face with a most enigmatic smile, they agree that they are destined to fall in love with a woman with the same smile. Enter Catherine, as seductively capricious a free-spirit as ever there was in cinema, and the two men are instantly enamored. Jules is intent on marrying her, even though it's clear from the outset that she is not one who could commit for the long term. The war intercedes, and the two friends are fighting on opposite sides. After the war, Catherine, married to Jules and raising their young daughter, is emotionally dissatisfied and embarks on an affair with Jim. With Jules' blessing, things are idyllic for a while, but Jim proves too much the alpha male to defer to Catherine's whims, and the resulting imbalance leads to increasingly dramatic consequences.
In just his third film, Truffaut's trademark style emerges with fast cuts between scenes and naturalistic camera movements (courtesy of Raoul Coutard's fluid cinematography). Moreover, George Delerue's animated music score and Michel Subor's voice-over add to the evocative photo-album memory atmosphere. At times, the storyline feels a bit disjointed, but the fulsome performances more than compensate. Werner fully captures the internal struggle within Jules in attempting to reconcile his love for Catherine with her impossible demands on him. Serre has the comparatively more objective role but convincingly shows his character surrendering to the tangled situation. After her impressive turn as an obsessed adulterer in Louie Malle's "Elevator to the Gallows", Moreau solidifies her vaunted reputation here, conveying Catherine's petulance and unyielding passion in a vividly mercurial fashion.
The DVD extras are abundant starting with two commentary tracks. The first one, a more factual account of the production, was recorded in 1992 with Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, co-screenwriter Jean Gruault, and scholar Annette Insdorf. The second, produced in 2000, is far better as it has Moreau sharing her personal recollections of the filming with Truffaut biographer Serge Toubiana. Disc One also includes a brief 1966 interview with Truffaut discussing Roché and a 1985 featurette, "The Key to Jules and Jim", which contains interviews with the author's friends as they discuss the inspirations for the characters. Disc Two takes a broader look at Truffaut with five separate interviews with the director over the span of fifteen years, as well as insightful interviews with Coutard and co-screenwriter Jean Gruault.
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