The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
It has been three years since the most important Nazi leaders had already been tried. This trial is about 4 judges who used their offices to conduct Nazi sterilization and cleansing policies. Retired American judge, Dan Haywood has a daunting task ahead of him. The Cold War is heating up and no one wants any more trials as Germany, and Allied governments, want to forget the past. But is that the right thing to do is the question that the tribunal must decide. Written by
Tony Fontana <email@example.com>
Montgomery Clift had a habit of cutting his hair very short when he was between films and would not work until it had grown back. In fact, his scene in this film was shot right after getting one of those haircuts. He also had so much trouble remembering his lines, the scene had to be re-shot many times. Director Stanley Kramer finally gave up and told Clift to ad lib his lines, saying that this would help to convey the confusion in his character's mind while he was being questioned on the witness stand. "Monty seemed to calm down after this," Kramer later recalled. "He wasn't always close to the script, but whatever he said fitted in perfectly, and he came through with as good a performance as I had hoped." See more »
Right after Richard Widmark states that "the defense rests", he sits down next to his assistant attorney. A moment later the assistant's arms have changed position and Widmark's hands have changed position. See more »
I'll make you a wager...
Judge Dan Haywood:
I don't make wagers.
A gentleman's wager... in five years, the men you sentenced to life imprisonment will be free.
Judge Dan Haywood:
Herr Rolfe, I have admired your work in the court for many months. You are particularly brilliant in your use of logic...
[Rolfe nods with an appreciative smile]
Judge Dan Haywood:
-so, what you suggest may very well happpen. It *is* logical, in view of the times in which we live. *But to be logical is not to be right*, and *nothing* on God's earth could ever *make ...
[...] See more »
Would a film of that candor have a chance of being made today?
I watched "Judgment at Nuremburg" on PBS the other night. I had never seen it before. I expected an empty-headed, Hollywood-style, quasi-melodrama, but I was pleasantly surprised. Even Spencer Tracy, that universally beloved actor whose appeal has always escaped me, gave an honest and heartfelt portrayal of a "simple man" who was also a deeply conflicted judge.
What I liked most about this movie was that it didn't pull any punches, in the manner of other "controversial" films of its time. The defense attorney, superbly played by Maximilian Schell, weaves a simple, but undeniable web of logic:
Sterilization of "undesirables," one of the charges against the Nazi
war criminals, was at one time condoned by the U.S. courts, and encouraged by none other than Oliver Wendell Holmes. - Numerous leading industrialists in the U.S. contributed to the development of the Nazi war machine. - Encouragement was given to Hitler's expansionism by both Russia and England. - Churchill is quoted as having admired Hitler. - The Vatican actively collaborated with the Nazis.
Correct me if I'm wrong, but it must have taken major cojones to present that kind of message to American filmgoers in 1961. Would a film of that candor have a chance of being made today?
I tend to doubt it.
One further note. The film describes how the Nazis went about stripping the German judiciary of judges who were known for their objectivity, and replacing them with judges who were appointed based solely on their party loyalties.
The mind boggles at the implications and yes, the prescience of this well-written, well-played masterpiece.
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