After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
It has been three years since the most important Nazi leaders had already been tried. This trial is about 4 judges who used their offices to conduct Nazi sterilization and cleansing policies. Retired American judge, Dan Haywood has a daunting task ahead of him. The Cold War is heating up and no one wants any more trials as Germany, and Allied governments, want to forget the past. But is that the right thing to do is the question that the tribunal must decide. Written by
Tony Fontana <email@example.com>
Werner Klemperer, who played defendant Emile "nasty Nazi to the very end" Hahn, is probably known best as Colonel Klink in the television series Hogan's Heroes (1965). Klemperer, a German Jew, and his family fled Germany at the outset of the Nazi regime. He wound up in Hollywood, and agreed only to play the role of a Nazi in a movie or television series if the character was despicable, as in this movie, or a bumbling loser, as in "Hogan's Heroes". See more »
At the end of the movie a graphic states that 99 people were tried and sentenced at Nuremberg and that by the date of the movie (1961) none remained in prison. Some critics have pointed out that Nuremberg defendants Rudolf Hess and others were still imprisoned in Spandau. However, Hess and the other major defendants were tried by the International Military Tribunal (with judges and prosecutors from each of the four victorious Allied powers). The caption in the film states that the statistic refers only to the Nuremberg trials "held in the American sector." By 1961, all of the defendants sentenced in the American trials were indeed free; the graphic is therefore correct. See more »
There was a fever over the land. A fever of disgrace, of indignity, of hunger. We had a democracy, yes, but it was torn by elements within. Above all, there was fear. Fear of today, fear of tomorrow, fear of our neighbors, and fear of ourselves. Only when you understand that - can you understand what Hitler meant to us. Because he said to us: 'Lift your heads! Be proud to be German! There are devils among us. Communists, Liberals, Jews, Gypsies! Once these devils will be destroyed, your misery ...
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They say that time heals all heartache. In the case of the Third Reich, I'm not sure that the old saying is true. Out of respect for the Holocaust victims, and as an important history lesson, there's something to be said for not forgetting the evils of Hitler. Fortunately, we have this great film to help us not forget.
"Judgment At Nuremberg" is a dramatization of one of the many real life post WWII Nuremberg trials of high ranking Nazis. Most of the film focuses on the 1948 courtroom trial of four judges who helped to carry out Hitler's decrees. As part of the prosecution's case against the judges, real life, graphic film footage showing the horrors of the death camps engenders a gut level impression that is both powerful and persuasive. The film thus educates viewers in ways that a dry textbook of facts and figures never could.
But there's more to the film than the trial. In other parts of Nuremberg we see ordinary Germans trying to get on with their lives as best they can, three years after the war's end, in a bombed out and bleak city. One of these persons is Madame Bertholt (Marlene Dietrich), the wife of a dead German soldier. In contrast to the harsh and contentious trial, Madame Bertholt's kindness toward the tribunal's lead judge, Dan Haywood (Spencer Tracy), provides an example of the innocence and decency of ordinary Germans, and thus adds a softer, more contemplative perspective to the ordeal. In these non-courtroom scenes, the melancholy background music and the soft production lighting create a mood of depression and sadness.
I find very little to criticize in this three hour film. Perhaps the plot could have been clearer in identifying the legal counsel of three of the four defendants. And maybe in those scenes wherein the four defendants conversed among themselves, the dialogue should have been in German, not English. But these are trivial points. Overall, this is a film that is well written and directed, a film with credible actors giving stellar performances, and most of all, a film that assures preservation of that era's historic significance, with a political and social message that has enduring value.
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