It is the Second World War. The Nazis have invaded Britain. There is a split between the resistance and those who prefer to collaborate with the invaders for a quiet life. The protagonist, ... See full summary »
A precise, real-time (exactly 85 minutes - the length of the actual event) reenactment of the infamous Wannsee Conference, a meeting called in January, 1942 to map out the implementation of... See full summary »
Friedrich G. Beckhaus
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Kim Irwin Dildine,
On the isle of Rhodes, Katherine, an expatriate English photographer, lives with her daughter. A young local wants to encourage tourism, so he commissions a sculpture of the Unknown Tourist... See full summary »
As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of ... See full summary »
The Nuremberg trials, 1946 Goering and the Nazi high command stand trial. Within the prison a dangerous mind game is being conducted by Goering and the prison guards who stand watch over the perpetrators of the Holocaust.
A Jewish teenager and an injured soldier join a doomed plot to kill Hitler. They face almost certain death, yet luck and love shine upon them as they outwit Nazi terror and become the first couple married in post-war Berlin.
John Keith Wasson
Christopher Karl Johnson,
It is the Second World War. The Nazis have invaded Britain. There is a split between the resistance and those who prefer to collaborate with the invaders for a quiet life. The protagonist, a nurse, is caught in the middle. Written by
The film sticks tenaciously in the memory, in a way that slick studio productions often fail to do.
Visually, a fair bit of the film is a pastiche of German propaganda newsreels, or borrows from that library of pictures. This augments the feeling of realism and makes it an even bigger shock to see German troops marching through London, or relaxing off-duty, taking in the sights and admiring the women. No studio film would dare to take such an approach. And where did they find so much genuine-looking equipment? No studio film-researcher would ever be that scrupulous about accuracy.
The sound-recording is dreadful and it would benefit from one of those clever clean-up jobs that are available these days. But what is said, and how it's said, are unforgettable. The wrong-headed justifications of Fascism that pepper this film sound like real people's words and they're spoken by what clearly are real people, who are taking a little time off from their real jobs to appear in the film. For instance, the fat, middle-aged, bureaucratic bully who voices many of the arguments has to have been in real life a school teacher or a bank manager: he looks and sounds the part in a way that studio actors working from a polished script could never manage.
The ending is forced, but only because you feel that the film would be endless without a forced ending. Although a lot of things take place that are genuinely shocking (I won't list them as I'd have to announce spoilers), the point of the film isn't to relate a narrative that has a defined beginning, middle and end. The point is to make you feel that this is all real and make you wonder what your response would have been if the Nazis had started running your country.
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