IMDb > The Innocents (1961)
The Innocents
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The Innocents (1961) More at IMDbPro »

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The Innocents -- Trailer for The Innocents

Overview

User Rating:
7.9/10   14,836 votes »
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Down 5% in popularity this week. See why on IMDbPro.
Director:
Writers:
Henry James (novel)
John Mortimer (additional scenes & dialogue)
(more)
Contact:
View company contact information for The Innocents on IMDbPro.
Release Date:
November 1961 (UK) See more »
Genre:
Tagline:
Apparitions? Evils? Corruptions? See more »
Plot:
A young governess for two children becomes convinced that the house and grounds are haunted. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 2 BAFTA Film Awards. Another 3 wins & 3 nominations See more »
NewsDesk:
(96 articles)
Daily | Venice 2014 | Classics Lineup
 (From Keyframe. 15 July 2014, 8:09 AM, PDT)

Venice Classics line-up revealed
 (From ScreenDaily. 15 July 2014, 7:38 AM, PDT)

‘Guys and Dolls’ Joins Venice Classics Line-up
 (From Variety - Film News. 15 July 2014, 7:20 AM, PDT)

User Reviews:
The other Others See more (180 total) »

Cast

  (in credits order) (verified as complete)

Directed by
Jack Clayton 
 
Writing credits
Henry James (novel "The Turn of the Screw")

John Mortimer (additional scenes & dialogue)

William Archibald (screenplay) and
Truman Capote (screenplay)

Produced by
Jack Clayton .... producer
Albert Fennell .... executive producer
 
Original Music by
Georges Auric 
 
Cinematography by
Freddie Francis (director of photography)
 
Film Editing by
Jim Clark  (as James Clark)
 
Art Direction by
Wilfred Shingleton  (as Wilfrid Shingleton)
 
Costume Design by
Sophie Devine  (as Motley)
 
Makeup Department
Gordon Bond .... hairdresser
Harold Fletcher .... makeup artist
 
Production Management
James H. Ware .... production manager (as James Ware)
Claude Watson .... unit manager
 
Second Unit Director or Assistant Director
Michael Birkett .... assistant director
Ken Softley .... third assistant director (uncredited)
Claude Watson .... second assistant director (uncredited)
 
Art Department
Peter James .... set dresser
Martin Atkinson .... assistant art director (uncredited)
Alan Evans .... scenic artist (uncredited)
Anthony Pratt .... draughtsman (uncredited)
James Sawyer .... draughtsman (uncredited)
Gus Walker .... construction manager (uncredited)
Tony Woollard .... draughtsman (uncredited)
 
Sound Department
Buster Ambler .... sound recordist (as A.G. Ambler)
John Cox .... sound recordist
Peter Musgrave .... dubbing editor
Ken Ritchie .... boom operator
Jimmy Dooley .... sound camera operator (uncredited)
Daphne Oram .... electronic sound effects (uncredited)
 
Camera and Electrical Department
Maurice Gillett .... supervising floor electrician
Ray Jones .... camera grip
Ronnie Taylor .... camera operator (as Ronald Taylor)
Bernard Ford .... focus puller (uncredited)
Ronnie Maasz .... focus puller (uncredited)
Simon Ransley .... clapper loader (uncredited)
Ted Reed .... still photographer (uncredited)
 
Costume and Wardrobe Department
Brenda Gardner .... wardrobe mistress (uncredited)
 
Editorial Department
Mary Kessel .... assistant editor
Pamela Milner-Gardner .... assistant editor (uncredited)
 
Music Department
Lambert Williamson .... conductor (as W. Lambert Williamson)
 
Other crew
Pamela Mann .... continuity
Jeanie Sims .... script editor
Joan Williams .... production secretary (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Australia:PG | Canada:G (Quebec) | Finland:K-16 | France:U (re-release) | Portugal:M/12 | Sweden:15 | UK:X (original rating) | UK:12A (re-rating) (2005) | USA:Approved (PCA #20046) | West Germany:16
Company:

Did You Know?

Trivia:
Jack Clayton was dismayed to learn that 20th Century Fox insisted on making the film in CinemaScope. His cinematographer Freddie Francis set about making that less of a problem by framing the wide horizontal frame with lots of vertical lines to break it up. Conversely, he also used the wide space to emphasize shadowy spaces and using the emptiness towards an unsettling effect. To that end, he would often place characters at opposite ends of the frame.See more »
Goofs:
Continuity: Miss Giddens is wearing one dress when Flora bursts in to tell them to come see Miles riding the horse. When they run outside, Miss Giddens is wearing a different dress.See more »
Quotes:
Miles:What shall I sing to my lord from my window? What shall I sing for my lord will not stay? What shall I sing for my lord will not listen? Where shall I go when my lord is away? Whom shall I love when the moon is arisen? Gone is my lord and the grave is his prison...See more »
Movie Connections:
Soundtrack:
O Willow WalySee more »

FAQ

Is "The Innocents" based on a book?
See more »
30 out of 44 people found the following review useful.
The other Others, 1 July 2004
Author: The_Void from Beverley Hills, England

The Innocents is a masterpiece of atmospheric horror cinema. The obvious influence for 2001's 'The Others', The Innocents portrays themes of paranoia, death and madness; superbly wrapped around a plethora of great performances from the four main leads.

The story revolves around an uncle who doesn't have time for the children he has inherited, and therefore hires Miss Giddens (Deborah Kerr) to look after them. When Miss Giddens arrives at the mansion, she first meets Flora, the young girl and is 'enchanted' by the child. A few days later the boy, Miles, arrives at the house after being expelled from school. The fourth lead is made up by the housekeeper, Mrs Grose; played by Meg Jenkins. From the housekeeper, Miss Giddens eventually learns of what happened to the previous occupants of the house, and that's where the fun starts...

Martin Stephens (Miles) and Pamela Franklin (Flora) do surprisingly good jobs as the two adorable young children that are the centre of the story. Their characters are portrayed as nice young children, but at the same time there is something sinister about them, and that is where the tale draws a lot of it's suspense and mystery from. Deborah Kerr also shines as the watcher of the children. We know from the outset that her character loves children, which makes her plight believable to the audience when she does all she can to save the children from the evil she believes is haunting them. We never really know what is happening in the movie; the children's viewpoints contradict that of Miss Giddens, and as there is evidence to support what both sides say, along with evidence to support that of the contrary, the mystery is able to build itself through this and that, therefore, along with the empathy we are able to feel for Mrs Giddens due to the nature of her character; the film is able to remain interesting and suspenseful for it's running time.

The thing that this film does best is in capturing a dark and foreboding atmosphere. Through the way the story is portrayed and the beautiful cinematography, Jack Clayton is able to create scenes and sequences that are genuinely frightening and suspenseful; less is more rarely works to a great effect, but here it does. The 'ghosts' have very little screen time, but the time they do have is powerful and memorable enough to make it seem like much more. The film's creepy and menacing atmosphere never delves into violence or gore and relies solely on the story itself and the Gothic, atmospheric setting; and that is much to the film's credit.

If you liked the slightly later 60's paranoid horror films, such as Carnival of Souls or The Haunting, then this film is definitely one to check out.

Was the above review useful to you?
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Message Boards

Discuss this movie with other users on IMDb message board for The Innocents (1961)
Recent Posts (updated daily)User
Quite unbearable gypsyola
On Second viewing not a ghost story at all... nutritionist
Three interpretations... Lu_tz
Others like this? writejulia
This is one of those movies... geekeh
So why did the ghosts possess the children? luvehorror
See more »

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