In Victorian England, the uncle of orphaned niece Flora and nephew Miles hires Miss Giddens as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel and valet Peter Quint are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film opens with a creepy song written by Paul Dehn and Georges Auric sung over a black screen for about 45 seconds before the 20th Century Fox logo appears. In some cinemas, the projectionists assumed this was a mistake on the print and edited the film so it began with the appearance of the Fox logo. See more »
When Ms. Giddens goes upstairs to the bedroom, the candle varies in size between shots. See more »
We lay my love and I, beneath the weeping willow. But now alone I lie and weep beside the tree. Singing "Oh willow waly" by the tree that weeps with me. Singing "Oh willow waly" till my lover return to me. We lay my love and I beneath the weeping willow. A broken heart have I. Oh willow I die, oh willow I die...
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The film begins with a totally black screen and the sound of Flora singing for several seconds; then the 20th Century Fox logo fades in and out. The singing continues for a few seconds before the opening credits begin. As the credits display, we see an anguished Miss Giddens praying on the left side of the screen. Her actions are not explained until the film's climax. See more »
A film that has haunted me ever since I first saw it. Staggering, brilliant, masterful, The Innocents is the Rolls Royce of ghost stories.
The Innocents is a film that has haunted me ever since I first saw it. Staggering, brilliant, masterful, The Innocents is the Rolls Royce of ghost stories. From the unforgettable camerawork by Freddie Francis to the incisive, beautiful direction by Jack Clayton to the brilliant performance by Deborah Kerr, The Innocents works on a thousand levels. This is a film for anyone who truly wants to see brilliance in its purest form. Any director who wants to make a suspense/horror piece that counts, see this film now. If you can, don't see the pan and scan version -- it was shot in black and white Cinemascope and should be viewed that way -- Letterboxed. Let's hope 20th Century Fox put it out on DVD. It is available on Laser Disc is a beautiful letterbox transfer. But if you get the opportunity to see it on a screen -- RUN. A film that lingers in the mind for decades to come. What more could you ask from a film?..............................
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