Dr. John Holden ventures to London to attend a paranormal psychology symposium with the intention to expose devil cult leader, Julian Karswell. Holden is a skeptic and does not believe in ... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
In Victorian England, the uncle of orphaned niece Flora and nephew Miles hires Miss Giddens as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel and valet Peter Quint are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Jack Clayton was at great pains to distance his film from the Hammer horror movies which were enjoying great success at the same time. See more »
During Miss Gidden's interview with The Uncle, a clock can be heard striking the Westminster Chimes half hour. The Uncle goes to a mantel clock checking his watch. The mantel clock shows 10 past 11:00. The Uncle touches the clock dial, but does not correct the time. See more »
We lay my love and I, beneath the weeping willow. But now alone I lie and weep beside the tree. Singing "Oh willow waly" by the tree that weeps with me. Singing "Oh willow waly" till my lover return to me. We lay my love and I beneath the weeping willow. A broken heart have I. Oh willow I die, oh willow I die...
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The film begins with a totally black screen and the sound of Flora singing for several seconds; then the 20th Century Fox logo fades in and out. The singing continues for a few seconds before the opening credits begin. As the credits display, we see an anguished Miss Giddens praying on the left side of the screen. Her actions are not explained until the film's climax. See more »
Miss Giddens, an uptight but pretty young woman, takes a job as a Governess for two orphans on a grandiose estate in the English countryside. Flora and Miles seem like thoroughly innocent and angelic children, but soon, whispers of corruption begin to materialize. Miles is expelled from school for reasons he is reluctant to discuss. Miss Giddens learns of the fate of the prior governess, a masochistic young woman named Miss Jessel who was having an affair with a sadistic man named Quint. Soon, Miss Giddens is seeing the ghosts of the arrogantly handsome Quint and the forlorn Miss Jessel everywhere and comes to believe that the children have been possessed. But is she only imagining these horrors? And will she destroy the children in her attempt to save them?
This movie is creepy, claustrophobic and totally paranoid. Filmed in moody black and white with an almost non-existent musical score (other than the chilling song "Willow Waylee" sung in a child's voice over the opening credits and throughout the film) "The Innocents" is a flawless suspense drama. I hesitate to call it a ghost story, as the presence of the ghosts is never confirmed (or denied, for that matter.) Nor is the sanity of the main character. Is the prim English Governess (played with classic elegance by Deborah Kerr) simply an uptight prude having obscene fantasies, or are the two children she's caring for really possessed by the evil and perverted spirits of the former governess and her sadistic lover? There's no gore, no stupid incidental music, no insufferably adorable children and no happy ending. Unspoken horrors, dark secrets and things that "decent people" don't discuss, fill this film with sick shadows and diseased memories. Whether or not the ghosts exist is a moot point by films end. This film is about corruption and perversion. Indeed, there are no "Innocents" in this film...only the facade of innocence, a flimsy backdrop of beauty drawn over the ugly, festering truth. But what IS the truth?
This film is a masterpiece of dread and still has the power to disturb even some forty years later. I would highly recommend it to ghost enthusiasts and psych majors alike!
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