| Photos (See all 29 | slideshow) | Videos (see all 2) |
| Paul Newman | ... | Eddie Felson | |
| Jackie Gleason | ... | Minnesota Fats | |
| Piper Laurie | ... | Sarah Packard | |
| George C. Scott | ... | Bert Gordon | |
| Myron McCormick | ... | Charlie Burns | |
| Murray Hamilton | ... | Findley | |
| Michael Constantine | ... | Big John | |
| Stefan Gierasch | ... | Preacher | |
| Clifford A. Pellow | ... | Turk (as Cliff Pellow) | |
| Jake LaMotta | ... | Bartender | |
| Gordon B. Clarke | ... | Cashier | |
| Alexander Rose | ... | Score Keeper | |
| Carolyn Coates | ... | Waitress | |
| Carl York | ... | Young Hustler | |
| Vincent Gardenia | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| William Adams | ... | Old Doctor (uncredited) | |
| Tom Ahearne | ... | Bartender (uncredited) | |
| Charles Andre | ... | Waiter at Parisien Restaurant (uncredited) | |
| Don Crabtree | ... | Small Role (uncredited) | |
| Gloria Curtis | ... | Girl with Fur Coat (uncredited) | |
| Robert Daget | ... | (uncredited) | |
| Don De Leo | ... | Another Player (uncredited) | |
| Charles Dierkop | ... | Pool Room Hood (uncredited) | |
| William Duell | ... | Louisville Hustler (uncredited) | |
| James Dukas | ... | Kibitzer (uncredited) | |
| Brendan Fay | ... | Player (uncredited) | |
| Jack Healy | ... | Hotel Proprietor (uncredited) | |
| Hoke Howell | ... | Bit Part (uncredited) | |
| Don Koll | ... | Racetrack Ticket Clerk (uncredited) | |
| Charles McDaniel | ... | Reservation Clerk at Louisville Hotel (uncredited) | |
| Charles Mosconi | ... | Second Man (uncredited) | |
| Willie Mosconi | ... | Willie (uncredited) | |
| Sid Raymond | ... | First Man (uncredited) | |
| Art Smith | ... | Old Man Attendant (uncredited) | |
| Blue Washington | ... | Limping Attendant at Ames Billiards (uncredited) | |
Directed by | |||
| Robert Rossen | |||
Writing credits | ||
| Sidney Carroll | (screenplay) (as Sydney Carroll) and | |
| Robert Rossen | (screenplay) | |
| Walter Tevis | (based on the novel by) (as Walter S. Tevis) | |
Produced by | |||
| Robert Rossen | .... | producer | |
Original Music by | |||
| Kenyon Hopkins | |||
Cinematography by | |||
| Eugen Schüfftan | (director of photography) (as Eugene Shuftan) | ||
Film Editing by | |||
| Dede Allen | (film editor) | ||
Production Design by | |||
| Harry Horner | |||
Set Decoration by | |||
| Gene Callahan | |||
Costume Design by | |||
| Ruth Morley | (costumes designed by) | ||
Makeup Department | |||
| Donoene | .... | hairstyles | |
| Robert Jiras | .... | makeup | |
Production Management | |||
| John Graham | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles H. Maguire | .... | assistant director (as Charles Maguire) | |
| Ulu Grosbard | .... | assistant director (uncredited) | |
| Don Kranze | .... | assistant director (uncredited) | |
| Angelo Laiacona | .... | second assistant director (uncredited) | |
Art Department | |||
| Albert Brenner | .... | associate art director | |
| Jack Flaherty | .... | property master (uncredited) | |
Sound Department | |||
| Edward Beyer | .... | sound editor | |
| Jim Shields | .... | sound (as James Shields) | |
| Dick Vorisek | .... | sound (as Richard Vorisek) | |
| Jack Fitzstephens | .... | sound editor (uncredited) | |
Stunts | |||
| Herbert Holcombe | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William Cronjager | .... | assistant cameraman | |
| David Golden | .... | chief electrician | |
| Saul Midwall | .... | camera operator | |
| Muky | .... | still photography | |
| Martin Nallan | .... | chief grip (as Martin Nallan Jr.) | |
| Felix Trimboli | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Richard Stone | .... | assistant editor | |
| Evan A. Lottman | .... | montage of pool scenes editor (uncredited) | |
Music Department | |||
| Angelo Ross | .... | music editor | |
| Dan Terry | .... | musician: Louisville music | |
Other crew | |||
| Marguerite James | .... | script supervisor | |
| Willie Mosconi | .... | technical advisor | |
| Fred Hift | .... | publicist (uncredited) | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
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| The Color of Money | The Cincinnati Kid | Michael Clayton | Poolhall Junkies | They Won't Forget |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
When is a movie about pool not a movie about pool? When it's The Hustler. Watching this for the first time, i was expecting a movie full of games of pool with trick shots galore, with Newman the hero getting the girl and beating Fats the champ, role credits...a nice little feel good story. wow, was i ever mistaken (and very pleasantly surprised to be). The Hustler is filled with great performances: Newman, Gleason, Scott, and Laurie all give great, GREAT performances that makes a fairly simplistic plot with little real action absolutely riveting to watch. Newman is great as Eddie the born loser with talent coming out of his ears, but not enough brains to know how to utilise it best. Gleason is great and says a lot with simple body language more than the few lines he has. Scott is phenomenal as always as a soulless gambler only looking out for himself and dragging all those around him down as well. Laurie is perfectly suited to her character, a desperate, lonely alcoholic who seems to know her relationship with Eddie is bad for both of them, yet is unwilling or unable to break free.
The Hustler is amazingly written, with quotable lines and dialogue that just cuts deep into the cores of these characters; as they interact with each other and are forced to show their true colours, we see the true people underneath as the facade is stripped away. These are damaged, broken, confused, troubled souls who seem to gravitate towards one another, as if they can sense a kindred spirit. I have to say that the reason these characters resonated so strongly with me, is because, as unpleasant as it is to do so, i can see elements of myself in each character.
This kind of movie is one that would be nigh on impossible to get made in contemporary Hollywood. A downbeat story from start to finish, with unlikeable characters, it is one of the greatest films i have ever seen. an absolute classic in the purest sense.