Bill Whipple is a happy-go-lucky mechanic for MacDonald who thinks that he is the worlds greatest driver and lover. Mac has treated Bill like a son since he took him in. One day at the ... See full summary »
Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The ... See full summary »
Robert Z. Leonard
J. Farrell MacDonald
"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself? Written by
There's a misconception that the character Minnesota Fats is based on the real Minnesota Fats (Rudolf Wanderone Jr.). Actually, the character appeared in the book and the film before Wanderone, who up until this time had called himself "New York Fats", appropriated the name. See more »
During the last match between Fats and Eddie, in the first game, Fats attempts a soft break, leaving the cue ball against the rail. In the establishing shot, the cue ball is clearly bouncing away from the rail, in the next shot, the ball is tight frozen against the rail. See more »
Look, I... um... can always buy a bottle. A fifth of scotch?
What'ya want me to do - just step out in the alley? Is that it?
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Because of his tragically erratic, often interrupted career, Robert Rossen is rarely put into the pantheon of great Hollywood directors. However, he produced three films which deserve a permanent place among the classics, All the Kings Men( probably the best film about American politics), Lilith( one of the greatest films about mental illness) and this, a movie which DESERVES to be ranked with the hundred greatest, and possibly the fifty greatest, American films. It is superbly acted, brilliantly photographed and edited, and directed with clarity and assurance. In a just world ( if there is such a place), an special Oscar would have been bestowed on Newman, Laurie, Scott, and Gleason AS A GROUP. Piper Laurie was unforgettably poignant, Scott unforgettably sleazy, and Gleason... well, Gleason simply IS Minnesota Fats. Paul Newman almost certainly deserved the Oscar.It was an amusing irony, perhaps a little joke by God, that the bartender in the movie was played by none other than Jake LaMotta.
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