Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself? Written by
George C. Scott refused his Oscar nomination in the Best Supporting Actor category because he didn't believe in actors competing against each other unless if were playing the exact same role. But when he lost the Best Supporting Actor Oscar to George Chakiris in West Side Story (1961), it essentially started for good the actor's longstanding feud with the Academy over the fact that political decisions were involved in the choice of who won. This ultimately led to Scott rejecting the Oscar he won in 1970 for his performance in Patton (1970). See more »
When Sarah writes words on the mirror, she writes "TWISTEd" - all capital letters except for the "d". When it is shown later, when Eddie is in the room, it is written in all lower case letters. See more »
Eddie, is it alright if I get personal?
Whaddaya been so far?
Eddie, you're a born loser.
What's that supposed to mean?
First time in ten years I ever saw Minnesota Fats hooked... really hooked. But you let him off.
I told you I got drunk.
Sure you got drunk. You have the best excuse in the world for losing; no trouble losing when you got a good excuse. Winning... that can be heavy on your back, too, like a monkey. You'll drop that load too when you got an excuse. All you gotta do is learn to ...
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Because of his tragically erratic, often interrupted career, Robert Rossen is rarely put into the pantheon of great Hollywood directors. However, he produced three films which deserve a permanent place among the classics, All the Kings Men( probably the best film about American politics), Lilith( one of the greatest films about mental illness) and this, a movie which DESERVES to be ranked with the hundred greatest, and possibly the fifty greatest, American films. It is superbly acted, brilliantly photographed and edited, and directed with clarity and assurance. In a just world ( if there is such a place), an special Oscar would have been bestowed on Newman, Laurie, Scott, and Gleason AS A GROUP. Piper Laurie was unforgettably poignant, Scott unforgettably sleazy, and Gleason... well, Gleason simply IS Minnesota Fats. Paul Newman almost certainly deserved the Oscar.It was an amusing irony, perhaps a little joke by God, that the bartender in the movie was played by none other than Jake LaMotta.
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