A search for a winning lottery ticket in his dead father's grave causes Sardonicus' face to freeze in a horrible grimace, until he forces a doctor to treat his affliction--with even more ... See full summary »
Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us.... See full summary »
The story centers around a murderous scheme to collect a rich inheritance. The object of murder is Miriam Webster, who is to share in the inheritance with her half brother Warren, who lives with his childhood guardian Helga in the mansion where Warren and Mariam grew up. Confined to a wheelchair after recently suffering a stroke, Helga is cared for by her nurse Emily, a strange young woman who has formed a close bond with Warren. Written by
This was one of the most successful knock-offs of Alfred Hitchcock's Psycho (1960). William Castle and Columbia had this in theaters a year after the release of "Psycho". Part of the reason for the delay was that, at the time "Psycho" went into release, Castle was still working on 13 Ghosts (1960). See more »
Toward the end of the film when the police detective and Karl drive to the Hotel Ventura to show the bellboy the photo of Emily, the clock just above the corner drugstore says 8:24 p.m., but when they walk from the car into the hotel, the clock above the registration desk says 7:50 p.m. See more »
I remember when we were kids, you took this doll away from me and I never saw it again.
You want it? Take it.
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At the end of the film Joan Marshall's characters Emily/Warren come out to face the audience, via split screen, and take a bow! See more »
HOMICIDAL is an obvious PSYCHO "homage". Scene after scene, one gets a vivid sense of deja vu while watching the William Castle shocker. The main problem with HOMICIDAL, other than the fact that it's very derivative of PSYCHO, is that it's way too tame, certainly compared TO the Alfred Hitchcock classic. The beginning is intriguing and weird, and the ending is good and surreal but everything in between is rather flat and dull. It seems the only thing we see are people walking in and out of doors, in and out of cars, etc. And the well thought out story is too brief for its own good.
The truly great thing in HOMICIDAL is Jean Arless, or Joan Marshall. WOW! Jean/Joan was great. It's hard to believe her career didn't take off after her appearance in HOMICIDAL. Her unusual performance is the film's most intriguing and original aspect.
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