The Guns of Navarone (1961)

Director:

J. Lee Thompson

Writers:

Alistair MacLean (novel)
Carl Foreman (written by)

Release Date:

22 June 1961 (USA)

Genre:

Action | Drama | War | Adventure

Tagline:

Still! The Greatest High Adventure Ever Filmed! [re-issue]

Plot:

A British team is sent to cross occupied Greek territory and destroy the massive German gun emplacement that commands a key sea channel.

Plot Keywords:

Island | Commando | Greek Resistance | Traitor | Mountaineer

Awards:

Won Oscar. Another 4 wins & 10 nominations

Cast

Gregory Peck	...	Capt. Keith Mallory
David Niven	...	Cpl. Miller
Anthony Quinn	...	Col. Andrea Stavros
Stanley Baker	...	Pvt. 'Butcher' Brown
Anthony Quayle	...	Maj. Roy Franklin
James Darren	...	Pvt. Spyros Pappadimos
Irene Papas	...	Maria Pappadimos
Gia Scala	...	Anna
James Robertson Justice	...	Commodore Jensen / Prologue Narrator
Richard Harris	...	Squadron Leader Howard Barnsby RAAF
Bryan Forbes	...	Cohn
Allan Cuthbertson	...	Maj. Baker
Michael Trubshawe	...	Weaver
Percy Herbert	...	Sgt. Grogan
George Mikell	...	Sessler

Runtime:

158 min | Sweden:156 min

Country:

UK | USA

Language:

English | Greek | German

Color:

Color (Eastmancolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 70 mm 6-Track (70 mm prints) (Westrex Recording System) | Mono (35 mm optical prints) | Dolby (Restored version)

Certification:

Iceland:12 | Portugal:M/12 | West Germany:16 (nf) | USA:Approved | USA:Not Rated (DVD release) | Australia:PG | Finland:K-16 | Ireland:G | Norway:15 | Sweden:15 | UK:U (original rating) (cut) | UK:PG (video rating) (1986) (uncut)

Filming Locations:

Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, England, UK

Company:

Columbia Pictures Corporation

Trivia:

One of the Rhodian locations used in the film has been renamed "Anthony Quinn Bay" after the actor was reported to have bought property nearby.

Goofs:

Revealing mistakes: The "German" patrol boat that intercepts the team's decrepit fishing boat is actually a British HDML (Harbour Defence Motor Launch).

Quotes:

[first lines]
Prologue Narrator: Greece and the islands of the Aegean Sea have given birth to many myths and legends of war and adventure. And these once-proud stones, these ruined and shattered temples bear witness to the civilization that flourished and then died here and to the demigods and heroes who inspired those legends on this sea and these islands...

Movie Connections:

Referenced in The 100 Greatest War Films (2005) (TV)

Soundtrack:

Treu Sein

Every bit as good as you remembered...

For any boy growing up when I did, back in the late 1970s, it was well understood that "Guns of Navarone" was the sine qua non of adventure films, a movie you called friends about when you saw it listed in next week's TV Guide. It's hard to believe so much time has gone by, both since my boyhood and since the film was made, but "Navarone" still holds up very well, a character-driven film alive with nuance and subtlety. It moves at an assured clip, not rushed or forced, making the viewer follow its story through every agonizing twist and turn.

What makes the film especially good is the crisp dialogue, lines that point up the moral and philosophical argument at the heart of the film and which resonate today as much as then:

Mallory: The only way to win a war is to be just as nasty as the enemy. The one thing that worries me is we're liable to wake up one morning, and find we're even nastier than they are.

Franklin: I can't say that worries me!

Mallory: Well, you're lucky.

Good performances abound, but the best by far is David Niven's Cpl. Miller, a complex character whose smooth front and witty banter conceals much of the conflict of the film. It's he who tangles most often with Gregory Peck's Mallory, and has at least three scenes in the film that are top-rate. We may like Miller because he keeps things humming and provides welcome comic relief, but he's no less the center of the film than Peck or Anthony Quinn, the two well-cast leads whose relationship is enriched, at least from our remove, by the unique vow Stavros has made to Mallory about the unsettled business between them.

The plot is a thing of beauty, moving with all the synchronicity and clever precision of a diabolical cuckoo clock. The special effects have suffered more than a bit from the march of time (though one should remember that was the only part of the film that won an Oscar in 1962). Some process shots are cringe-inducing now. But the pace is still gripping and the payoff spectacular. Here's the film that was the template to every popcorn actioner that came after, its imprint recognizable on everything from the James Bond movies to "Star Wars" to Indiana Jones. That's impressive, but more so is that "Guns" remains as entertaining as any one of them, and more thrilling than most.